I have seen many fine places since then, but I do not remember to have
seen a landscape more beautiful in its peculiar English character than
that which I now gazed on. It had none of the feudal characteristics
of ancient parks, with giant oaks, fantastic pollards, glens covered
with fern, and deer grouped upon the slopes; on the contrary, in spite
of some fine trees, chiefly beech, the impression conveyed was that it
was a new place--a made place. You might see ridges on the lawns which
showed where hedges had been removed; the pastures were parcelled out
in divisions by new wire-fences; young plantations, planned with
exquisite taste, but without the venerable formality of avenues and
quincunxes, by which you know the parks that date from Elizabeth and
James, diversified the rich extent of verdure; instead of deer, were
short-horned cattle of the finest breed--sheep that would have won the
prize at an agricultural show. Every where there was the evidence of
improvement--energy--capital; but capital clearly not employed for the
mere purpose of return. The ornamental was too conspicuously
predominant amidst the lucrative, not to say eloquently--"The owner is
willing to make the most of his land, but not the most of his money."
But the old woman's eagerness to earn sixpence had impressed me
unfavourably as to the character of the master. "Here," thought I,
"are all the signs of riches; and yet this poor old woman, living on
the very threshold of opulence, is in want of a sixpence."
These surmises, in the indulgence of which I piqued myself on my
penetration, were strengthened into convictions by the few sentences
which I succeeded at last in eliciting from the old woman.
"Mr Trevanion must be a rich man," said I.
"O ay, rich eno'!" grumbled my guide.
"And," said I, surveying the extent of shrubbery or dressed ground
through which our way wound, now emerging into lawns and glades, now
belted by rare garden trees, now (as every inequality of the ground
was turned to advantage in the landscape) sinking into the dell, now
climbing up the slopes, and now confining the view to some object of
graceful art or enchanting nature:--"And," said I, "he must employ
many hands here--plenty of work, eh!"
"Ay, ay--I don't say that he don't find work for those who want it.
But it aint the same place it wor in my day."
"You remember it in other hands, then?"
"Ay, ay! When the Hogtons had it, honest folk! My goodman was the
gardener--none of these set-up fine gentlemen who can't put hand to a
spade."
Poor faithful old woman!
I began to hate the unknown proprietor. Here clearly was some mushroom
usurper who had bought out the old simple hospitable family, neglected
its ancient servants, left them to earn tizzies by showing waterfalls,
and insulted their eyes by his selfish wealth.
"There's the water, all sp_i_l't--it warn't so in my day," said the
guide.
Public-domain text, read in full here on John Shaqi.
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