Blackwood's Edinburgh Magazine, Volume 64, No. 397, November 1848Various
History
Blackwood's Edinburgh Magazine, Volume 64, No. 397, November 1848
Various
England -- Periodicals; Scotland -- Periodicals
After having for some years drawn their principal themes for
satire from the social follies and political dissensions of their
countrymen, the English caricaturists and song-writers found
"fresh fields and pastures new" in foreign menaces and threatened
invasion. In their usual presumptuous tone, French newspapers and
proclamations spoke of the conquest of England by the conqueror of
Italy, as of a project whose realisation admitted not the smallest
doubt. This country had not then that confidence of invincibility
which she gathered from subsequent victories in the field; and the
positive assertions of France, that she had but to throw an army
on the English coast to secure prompt and powerful co-operation
from the Jacobin party, caused considerable alarm in the country.
To kindle true patriotism, and raise the courage of the nation,
recourse was had to loyal songs, and anti-French caricatures. The
anti-Jacobin lent efficient aid, and Gillray put his shoulder to
the wheel. The periodical and the artist were a host in themselves.
Clever verses, and pointed caricatures, followed each other in quick
succession. Soon Buonaparte betook himself to Egypt, the victory of
the Nile spread rejoicing through the land, and caricatures caught
the exultation of the hour. John Bull was represented at dinner,
forking French frigates down his capacious gullet, and supplied
with the provender, as fast as he could devour it, by Nelson and
other nautical cooks. Buonaparte, stripped to the waist, with all
enormous cocked-hat on his head, and the claret flowing freely from
his nose, receives fistic punishment at the hands of Jack Tar. The
suppression of the Irish rebellion of '98, and the death of General
Hoche, who had replaced Buonaparte as the threatened invader of the
British Isles, confirmed the feeling of security our naval triumphs
had inspired. The Peace of Amiens set the wags of the pencil on a
new tack, and Monsieur François was represented as imprinting "The
first Kiss these Ten Years" on the lips of burly, blushing Britannia,
who, whilst accepting the salute, hints a doubt of her admirer's
sincerity. The doubt was justified by the rupture that speedily
followed. The camp of Boulogne was formed; the French army were
reminded of the pleasant pastime, in the shape of rape and robbery,
that awaited them in the island famed for wealth and beauty. On
this side the Channel nothing was left undone that might increase
English contempt and hatred for the blustering bullies upon the
other. Individuals and associations printed and disseminated "loyal
tracts," as they were called. "Every kind of wit and humour was
brought into play to enliven these sallies of patriotism; sometimes
they came forth in the shape of national playbills, sometimes they
were coarse and laughable dialogues between the Corsican and John
Bull." Libels on Buonaparte, burlesques on his acts, parodies of his
bulletins, accounts of the atrocities of his armies, were daily put
Public-domain text, read in full here on John Shaqi.
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