Blackwood's Edinburgh Magazine, Volume 64, No. 397, November 1848Various
History
Blackwood's Edinburgh Magazine, Volume 64, No. 397, November 1848
Various
England -- Periodicals; Scotland -- Periodicals
The disjointed times being decidedly unfavourable to _belles
lettres_, we were scarcely surprised at the first non-arrival of
the monthly parcel, in which our punctual Paris agent is wont to
forward us the literary novelties of the preceding thirty days.
On a second and a third omission, we grew uneasy, and suspected
the Red Republicans of abstracting our packages _in transitu_; but
absolved the democrats on receipt of advice, that if the books did
not arrive, it was because they were not sent; and that, if they
were not sent, it was because there were none, or as good as none,
to send. At last a case has reached us--half the usual size, but
containing, nevertheless, the French literature of the entire summer.
A poor display indeed! The pens of the novelists have shrivelled in
their grasp; their plump goose-quills have dwindled into emaciated
tooth-picks. Instead of the exuberant eight-volume romance, with
promise of continuation, we have single volumes, meagre tales,
that seem nipped in the bad, blighted by the breath of revolution.
No author, not already involved in one of those tremendous series
with which French writers have lately abused the public patience,
now cares to exceed a volume or two. M. Sue, having got into the
middle of the seven capital sins, is fain to flounder on through
the ocean of iniquity; but his pen flags, evidently affected by
the discouraging influence of the times. M. Dumas has brought out
the final volume of "_Les Quarante Cinq_," a romance which we may
observe, _en passant_, is a scandalous specimen of what the French
call _faire la ligne_--doing the line, writing against paper, upon
the Vauxhall principle of making the smallest possible substance
cover the utmost possible surface. It is pity to see a man of
remarkable talent, which M. Dumas really is, thus degrading himself
into a mere mercantile speculator, lumbering his books with pages
upon pages of useless and meaningless dialogue--if dialogue that is
to be called, of which the following stuff is a specimen:--
"You are the Chevalier d'Artagnan."
"Then let me pass."
"Useless!"
"Why useless?"
"Because his Eminence is not at home."
"What! His Eminence not at home! Where is he then?"
"Gone."
"Gone?"
"Yes."
"Where?" &c., &c.
Public-domain text, read in full here on John Shaqi.
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