Blackwood's Edinburgh Magazine, Volume 64, No. 398, December 1848Various
History
Blackwood's Edinburgh Magazine, Volume 64, No. 398, December 1848
Various
England -- Periodicals; Scotland -- Periodicals
approaching poverty from his usual state of happy _insouciance_, the
baron gathered together the relics of his past opulence, squeezed and
exhausted every remaining resource, and, assuming a bold front against
bad fortune, returned to Paris, with much the feelings of the soldier
who screws up all his energies to conquer or to die. It was no
apprehension, however, as to the result of this final struggle--no
nervous trepidation arising from the imminence of his situation, that
now clouded Steinfeld's brow and spoiled his appetite. On the
contrary, he deemed victory secure, and beheld himself, in no remote
perspective, emerging triumphantly from his difficulties, even as a
snake, casting its shabby skin, reappears in glittering scales of
gold. He had not wasted the three months he had passed in Paris, and
was well satisfied with the result of his exertions. His present
uneasiness had a different origin--one similar to the cause by which,
some fifteen hours previously, we saw Sigismund Fatello so deeply
moved. The baron turned and twisted in his hand a letter, to whose
contents he again and again recurred, pondering them intently. Like
that received by the banker, the billet was anonymous; like his, it
contained but three or four lines; but, despite its brevity and want
of authenticity, it proved, on the part of the writer, whoever that
might be, an acquaintance with the baron's most important secret, that
did not fail greatly to disquiet him. Who had thus detected what he
deemed so surely concealed? He strained his eyes and memory, in vain
endeavouring to recognise the handwriting; and, more than once,
fancying he had done so, he fetched notes and letters from a desk in
the adjoining boudoir, to compare them with the anonymous epistle. But
the comparison always dissipated his suspicion. Then, taking a pen,
and a diminutive sheet of amber-scented paper, he began a note, but
tore the paper after writing only three words, and threw the fragments
impatiently into the fire. Just then the pavilion bell rang loudly;
the next minute there was a knock at the room door, and Celestin the
tiger made his appearance, bearing a card inscribed with the name of
M. Sigismund Fatello, and an inquiry whether Monsieur le Baron was at
home and visible.
On reading the banker's name, Steinfeld made a slight and sudden
movement, almost amounting to a start, but, instantly recovering
himself, he bade his groom show the visitor up stairs. At the same
time he hastily seated himself, ordered Rufini to take off the covers,
poured some wine into a glass, and helped himself from the first dish
that came to hand; so that when Fatello, ushered in by the groom,
entered the apartment, he had all the appearance of one whose whole
faculties were concentrated, for the time being, in the enjoyment of
an excellent meal. Rising from his chair, with an air of jovial
cordiality, he hastened to welcome the banker.
Public-domain text, read in full here on John Shaqi.
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