Blackwood's Edinburgh Magazine, Volume 65, No. 399, January 1849Various
History
Blackwood's Edinburgh Magazine, Volume 65, No. 399, January 1849
Various
England -- Periodicals; Scotland -- Periodicals
We have ranked Murillo next to Velasquez: doubtless there are many
in England who would demur to this classification; and we own there
are charms in the style of the great religious painter, which it
would be vain to look for in any other master. In tenderness of
devotion, and a certain soft sublimity, his religious pictures are
unmatched; while in colouring, Cean Bermudez most justly says--"All
the peculiar beauties of the school of Andalusia--its happy use of
red and brown tints, the local colours of the region, its skill in
the management of drapery, its distant prospects of bare sierras
and smiling vales, its clouds, light and diaphanous as in nature,
its flowers and transparent waters, and its harmonious depth and
richness of tone--are to be found in full perfection in the works of
Murillo."--(Vol. ii. p. 903.) Mr Stirling draws a distinction, and
we think with reason, between the favourite Virgin of the Immaculate
Conception and the other Virgins of Murillo: the ἠθὸς of the former
is far more elevated and spiritualised than that of any of the
latter class; but, even in his most ordinary and mundane delineation
of the sinless Mary, how sweet, and pure, and holy, as well as
beautiful, does our Lord's mother appear! But perhaps it is as a
painter of children that Murillo is most appreciated in England; nor
can we wonder that such should be the case, when we remember what
the pictures are which have thus impressed Murillo on the English
mind. The St John Baptist with the Lamb, in the National Gallery;
Lord Westminster's picture of the same subject; the Baroness de
Rothschild's gem at Gunnersbury, Our Lord, the Good Shepherd, as a
Child: Lord Wemyss's hardly inferior repetition of it; the picture
of our Lord as a child, holding in his hands the crown of thorns,
in the College at Glasgow; with the other pictures, in private
collections, of our Lord and St John as children, have naturally
made Murillo to be regarded in England as emphatically the painter
of children: and how exquisite is his conception of the Divine Babe
and His saintly precursor! what a sublime consciousness of power,
what an expression of boundless love, are seen in the face of Him
who was yet
"a little child,
Taught by degrees to pray
By father dear, and mother mild,
Instructed day by day."
Public-domain text, read in full here on John Shaqi.
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