The Dutch evacuated the island in 1712, and were succeeded by the French, who colonised it under the name of Isle de France; and this change in the population no doubt accounts for the almost entire absence of any traditionary knowledge of this remarkable bird among the later inhabitants. Baron Grant lived in the Mauritius for twenty years from 1740; and his son, who compiled his papers into a history of the island, states that no trace of such a bird was to be found at that time. In the _Observations sur la Physique_ for the year 1778, there is a negative notice, by M. Morel, of the Dodo and its kindred. "Ces oiseaux, si bien décrits dans le tome 2 de l'Histoire des Oiseaux de M. le Comte de Buffon, n'ont jamais été vus aux Isles de France, &c., depuis plus de 60 ans que ces parages sont habités et visités par des colonies Françoises. Les plus anciens habitans assurent tous que ces oiseaux monstrueux leur ont toujours été inconnus." M. Bory St Vincent, who visited the Mauritius and Bourbon in 1801, and has given us an account of the physical features of those islands in his "Voyage," assures us (vol. ii. p. 306) that he instituted all possible inquiries regarding the Dodo (or Dronte) and its kindred, without being able to pick up the slightest information on the subject; and although he advertised "une grande recompense a qui pourrait lui donner la moindre indice de l'ancienne existence de cet oiseau, un silence universel a prouvé que le souvenir même du Dronte était perdu parmi les créoles." De Blainville informs us, (_Nouv. Ann. Mus._ iv. 31,) that the subject was discussed at a public dinner at the Mauritius in 1816, where were present several persons from seventy to ninety years of age, none of whom had any knowledge of any Dodo, either from recollection or tradition. Finally, Mr J. V. Thompson, who resided for some years in Mauritius prior to 1816, states, (_Mag. of Nat. Hist._, ii. 443,) that no more traces could then be found of the Dodo than of the truth of the tale of Paul and Virginia. But the historical evidence already adduced, as to the former existence of this bird, is confirmed in a very interesting manner by what may be called the pictorial proof. Besides the rude delineations given by the earlier voyagers, there are several old oil-paintings of the Dodo still extant, by skilful artists, who had no other object in view than to represent with accuracy the forms before them. These paintings are five in number, whereof one is anonymous; three bear the name of Roland Savery, an eminent Dutch animal-painter of the early portion of the seventeenth century, and one is by John Savery, Roland's nephew.