"It is difficult," observes our author, "to assign a motive to the artist for thus magnifying an object already sufficiently uncouth in appearance. Were it not for the discrepancy of dates, I should have conjectured that this was the identical "picture of a strange fowle hong out upon a cloth," which attracted the notice of Sir Hamon Lestrange and his friends, as they "walked London streets" in 1638; the delineations used by showmen being in general more remarkable for attractiveness than veracity."--(P. 31.) We have now exhibited the leading facts which establish both the existence and extinction of this extraordinary bird: the existence, proved by the recorded testimony of the earlier navigators, the few but peculiar portions of structure which still remain among us, and the _vera effigies_ handed down by artists coeval with the period in which the Dodo lived: the non-existence, deduced from the general progress of events, and the absence of all knowledge of the species since the close of the seventeenth century, although the natural productions of the Mauritius are, in other respects, much better known to us now than then. Why any particular creature should have been so formed as to be unable to resist the progress of _humanity_, and should in consequence have died, it is not for us to say. "There are more things in heaven and earth than are dreamt of in our philosophy;" and of this we may feel assured, that if, as we doubt not, the Dodo is extinct, then it has served its end, whatever that might be.