Blackwood's Edinburgh Magazine, Volume 65, No. 403, May, 1849Various
History
Blackwood's Edinburgh Magazine, Volume 65, No. 403, May, 1849
Various
England -- Periodicals; Scotland -- Periodicals
"Good heavens!" he exclaims, in intense disgust, "how little
do those enthusiastic descriptions agree with what is now to
be seen! To-day the convent garden is small, run to waste,
miserably stocked. Instead of pinks and amaranths, which
rejoiced the senses of the lucky Tournefort, I could discern
in this Armenian 'paradise' naught besides turnips and
cabbages, with here and there a stunted, unhealthy-looking
mulberry or apricot tree, and the melancholy wild olive, with
its flavourless fruits. No shade from the sun, nothing
pleasant to the eye. And neither the interior of the convent
nor that of the church exhibit any traces of the splendour
vaunted by the old travellers. In the patriarch's
reception-chamber, the windows are prettily painted in the
Persian style; and here my guide expected, but in vain, to
see me struck with wonder and admiration. In the same room is
a bust of the Emperor Nicholas, dating, doubtless, from the
early years of his reign, for it has no mustaches, and the
breast wants breadth. In the next apartment, where the
patriarch daily receives the higher clergy of the
establishment, is a Madonna, after Raphael, so exquisitely
embroidered in silk, that at a short distance it appears a
painting. This piece of needlework was sent to the patriarch
from Hindostan, by a pious Armenian woman. Then there is an
ivory bass-relief of Abraham's sacrifice; and on the walls
are depicted horrible scenes of martyrdom, especially the
sufferings of St Gregory, buried alive in a deep well. A most
artistically carved arm-chair, occupied by the patriarch upon
state occasions, was also sent, only a few years ago, from
Hindostan, whence, and from other foreign communities of
Armenian Christians, far more gifts are received than from
Tefflis and other neighbouring places inhabited by many rich
Armenians. Behind this arm-chair is a full-length portrait of
the Czar of all the Russias, of whom the prelates never speak
but in a tone of anxious humility."
The church of Eshmiadzini is rich in monkish legends and precious
relics. It contains an altar, through which is a passage into
subterranean excavations, and which stands on the exact spot where the
Saviour is said to have appeared to St Gregory, armed with a club, and
to have hurled the heathen gods and evil spirits into the chasm. To
this day, when, as often happens, the wind whistles through the
vaults, the bigoted and ignorant monks believe they hear the howling
of the tortured demons. Eshmiadzini's relics are renowned far and wide
amongst the scattered Armenian congregations of the East.
Public-domain text, read in full here on John Shaqi.
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