"Children dear, were we long alone?
'The sea grows stormy, the little ones moan.
Long prayers,' I said, 'in the world they say.
Come,' I said, and we rose through the surf in the bay.
We went up the beach, by the sandy down
Where the sea-stocks bloom, to the white-wall'd town.
Through the narrow pav'd streets, where all was still,
To the little gray church on the windy hill.
From the church came a murmur of folk at their prayers,
But we stood without in the cold-blowing airs.
We climbed on the graves, on the stones worn with rains,
And we gazed up the aisle through the small leaded panes.
She sate by the pillar; we saw her clear:
'Margaret, hist! come quick, we are here.
Dear heart,' I said, 'we are long alone,
The sea grows stormy, the little ones moan.'
But, ah, she gave me never a look,
For her eyes were sealed to the holy book.
'Loud prays the priest; shut stands the door.'
Come away, children, call no more.
Come away, come down, call no more.
"Down, down, down,
Down to the depths of the sea.
She sits at her wheel in the humming town,
Singing most joyfully.
Hark, what she sings; 'O joy, O joy,
For the humming street, and the child with its toy.
For the priest, and the bell, and the holy well.
For the wheel where I spun,
And the bless'd light of the sun.'
And so she sings her fill,
Singing most joyfully,
Till the shuttle falls from her hand,
And the whizzing wheel stands still.
She steals to the window, and looks at the sand;
And over the sand at the sea;
And her eyes are set in a stare;
And anon there breaks a sigh,
And anon there drops a tear,
From a sorrow-clouded eye,
And a heart sorrow-laden,
A long, long sigh,
For the cold strange eyes of a little Mermaiden,
And the gleam of her golden hair."
Had the author given us much poetry like this, our task would,
indeed, have been a pleasant one; but as the case is otherwise, we
can do no more than point to the solitary pearl. Yet it is something
to know that, in spite of imitation, and a taste which has gone far
astray, this writer has powers, which, if properly directed and
developed, might insure him a sympathy, which, for the present, must
be withheld. Sympathy, indeed, he cannot look for, so long as he
appeals neither to the heart, the affections, nor the passions of
mankind, but prefers appearing before them in the ridiculous guise of
a misanthrope. He would fain persuade us that he is a sort of Timon,
who, despairing of the tendency of the age, wishes to wrap himself up
in the mantle of necessity, and to take no part whatever in the vulgar
concerns of existence. It is absolutely ridiculous to find this young
gentleman--after confiding "to a Republican friend" the fact that he
despises
Public-domain text, read in full here on John Shaqi.
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