I shall never recite another finest descriptive passage from the whole
range of our British Poets--during the course of my life--in this
Pavilion.
NORTH.
Let us look at the Temple.
TALBOYS.
Be done, I beseech you, sir.
NORTH.
Talboys, you have as logical--as legal a head as any man I know.
TALBOYS.
What has a logical or legal head to do with Byron's description of the
Clitumnus?
NORTH.
As much as with any other "Process." And you know it. But you are in a
most contradictory--I had almost said captious mood, this forenoon--and
will not imbibe genially----
TALBOYS.
Imbibe genially--acids--after having imbibed in the body immeasurable
rain.
NORTH.
Let us look at the Temple. "A Temple still" might mean a still temple.
TALBOYS.
But it doesn't.
NORTH.
A Poet's meaning should never, through awkwardness, be ambiguous.
But no more of that. "Keeps its Memory of Thee" suggests to my mind
that the Temple, dedicated of old to the River-God, retains, under
the new religion of the land, evidence of the old Deification and
Worship. The Temple survives to express to us of another day and
faith, a Deification and worship of Thee--Clitumnus--dictated by the
same apprehension of thy characteristic Beauty in the hearts of those
old worshippers that now possesses ours looking on Thee. Thou art
unchanged--the sensitive and imaginative intelligence of Thee in man is
unchanged--although times have changed--states, nations--and, to the
eyes of man, the heavens themselves! If all this be meant--all this is
not said--in the words you admire.
TALBOYS.
I cannot say, as an honest man, that I distinctly understand you, my
dear sir.
NORTH.
You understand me better than you understand Byron.
TALBOYS.
I understand neither of you.
NORTH.
The poetical thought seems to be here--that the Temple rises up
spontaneously on the bank--under the power of the Beautiful in the
river--a permanent self-sprung reflexion of _that_ Beautiful--as
indeed, to imagination, all things appear to create themselves!
TALBOYS.
You speak like yourself now, sir.
NORTH.
But look here, my good Talboys. The statue of Achilles may "keep
its memory"--granting the locution to be good, which it is not--of
Achilles--for Achilles is no more. Sink--in a rapture of thought--the
hand of the artist--think that the statues of Achilles _came of
themselves_--as unsown flowers come--for poets to express to all
ages the departed Achilles. They keep--as long as they remain
unperished--"their memory of Achilles"--they were from the beginning
voluntary and intentional conservators of the Memory of the Hero. But
_Clitumnus is here_--alive to this hour, and with every prospect of
outliving his own Temple. What do you say to that?
TALBOYS.
To what?
NORTH.
Public-domain text, read in full here on John Shaqi.
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