Blackwood's Edinburgh Magazine, Volume 66, No. 410, December 1849Various
History
Blackwood's Edinburgh Magazine, Volume 66, No. 410, December 1849
Various
England -- Periodicals; Scotland -- Periodicals
Thus, as we ran like torrents--thus, as we swept with bridal rapture
over the Campo Santo[18] of the cathedral graves--suddenly we became
aware of a vast necropolis rising upon the far-off horizon--a city
of sepulchres, built within the saintly cathedral for the warrior
dead that rested from their feuds on earth. Of purple granite was
the necropolis; yet, in the first minute, it lay like a purple stain
upon the horizon--so mighty was the distance. In the second minute it
trembled through many changes, growing into terraces and towers of
wondrous altitude, so mighty was the pace. In the third minute already,
with our dreadful gallop, we were entering its suburbs. Vast sarcophagi
rose on every side, having towers and turrets that, upon the limits of
the central aisle, strode forward with haughty intrusion, that ran back
with mighty shadows into answering recesses. Every sarcophagus showed
many bas-reliefs--bas-reliefs of battles--bas-reliefs of battle-fields;
of battles from forgotten ages--of battles from yesterday--of
battle-fields that, long since, nature had healed and reconciled to
herself with the sweet oblivion of flowers--of battle-fields that were
yet angry and crimson with carnage. Where the terraces ran, there did
_we_ run; where the towers curved, there did _we_ curve. With the
flight of swallows our horses, swept round every angle. Like rivers
in flood, wheeling round headlands; like hurricanes that ride into
the secrets of forests; faster than ever light unwove the mazes of
darkness, our flying equipage carried earthly passions--kindled warrior
instincts--amongst the dust that lay around us; dust oftentimes of
our noble fathers that had slept in God from Créci to Trafalgar. And
now had we reached the last sarcophagus, now were we abreast of the
last bas-relief, already had we recovered the arrow-like flight of
the illimitable central aisle, when coming up this aisle to meet us we
beheld a female infant that rode in a carriage as frail as flowers. The
mists, which went before her, hid the fawns that drew her, but could
not hide the shells and tropic flowers with which she played--but could
not hide the lovely smiles by which she uttered her trust in the mighty
cathedral, and in the cherubim that looked down upon her from the
topmost shafts of its pillars. Face to face she was meeting us; face to
face she rode, as if danger there were none. "Oh baby!" I exclaimed,
"shalt thou be the ransom for Waterloo? Must we, that carry tidings of
great joy to every people, be messengers of ruin to thee?" In horror
I rose at the thought; but then also, in horror at the thought, rose
one that was sculptured on the bas-relief--a Dying Trumpeter. Solemnly
from the field of battle he rose to his feet; and, unslinging his stony
trumpet, carried it, in his dying anguish, to his stony lips--sounding
once, and yet once again; proclamation that, in _thy_ ears, oh baby!
must have spoken from the battlements of death. Immediately deep
Public-domain text, read in full here on John Shaqi.
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