Blackwood's Edinburgh Magazine, Volume 67, Number 414, April, 1850Various
History
Blackwood's Edinburgh Magazine, Volume 67, Number 414, April, 1850
Various
England -- Periodicals; Scotland -- Periodicals
But we have not, all this time, given any account of the plot or
purpose of _Festus_. It is a hard task, but it must be undertaken. In
imitation of the Faust of Goethe--or say, adopting, like it, the proem
to the Book of Job--the drama opens with a scene in heaven, wherein
Lucifer appears, and asks permission to tempt Festus. The mortal
whom the Spirit of Evil here selects for his especial temptation,
has the thirst for knowledge, and the contempt for human life, which
distinguish the whole family of the Fausts. But whereas the German
poet adopted a philosophical indifferentism as his position, or
standing-point, from which to survey the scene of human life and of
human thought, Mr Bailey has a positive and very intricate creed to
enunciate, and has made his poem a vehicle for teaching a dogmatical
system of theology, which, if not altogether orthodox, certainly
does not fail from the paucity, or the too great simplicity, of its
doctrines. Instead of doubt, we have a heresy. A most extraordinary
medley of Christian tenets and transcendental or Hegelian metaphysics,
is taught, and chiefly by the devil himself! Lucifer, who assumes at
first something of the mocking vein of Mephistopheles, proves to be a
learned professor of Göttingen or Berlin, and the preacher of a very
refined and spiritual, though somewhat heterodox, Christianity. When we
add that--interweaving, as it were, some scenes from quite a different
drama, on the loves of the angels--Mr Bailey has represented his
great Spirit of Evil falling desperately in love with a mortal maid,
Elissa--"sighing like furnace"--outheroding mere human lovers--yet
jilted, and suffering (as it seems in a most genuine manner) the pangs
of despised passion--our readers will be prepared to agree with us that
never was so strange a Satan conceived or delineated, either in prose
or verse.
The drama opens, as we have said, in heaven.
"_God._--What wouldst thou, Lucifer?
_Lucifer._ There is a youth
Among the sons of men, I fain would have
Given up wholly to me.
_God._ He is thine,
To tempt.
_Lucifer._ I thank thee, Lord!
_God._ Upon his soul
Thou hast no power. _All souls are mine for aye._"
This ultimate salvation of all mankind, and of all peccant spirits,
is a conspicuous doctrine of Mr Bailey's. The law of universal
necessity is another. One might suppose that this announcement of the
decreed salvation of Festus would nullify the permission given to
Satan to tempt him, and induce that spirit to relinquish his hopeless
scheme. But the second doctrine of philosophical necessity assists
us in explaining the conduct of Lucifer. He, being a consistent and
enlightened Necessarian, knows that he must fail in his attempt, but
knows also that he must make it--knows that he must act according to
his nature, and incessantly strive to ruin, vitiate, and destroy.
Public-domain text, read in full here on John Shaqi.
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