Blackwood's Edinburgh Magazine, Volume 67, Number 414, April, 1850Various
History
Blackwood's Edinburgh Magazine, Volume 67, Number 414, April, 1850
Various
England -- Periodicals; Scotland -- Periodicals
Miss Laura Levrault had been educated at one of the most aristocratic
of Parisian schools. She might have proved a charming person, had she
been brought up conformably to her condition in life. Transplanted
into a flower-bed of seedling countesses and budding marchionesses,
she had early lost her natural grace and perfume: like a sparrow in an
aviary of goldfinches, she had learned, before all things, to smart
for her origin. The jests and sly allusions of her young companions
were a constant source of irritation. Young girls are merciless to each
other; in that respect they are already women. Instead of exercising
reprisals on the arrogant and silly creatures who made it their sport
to humiliate her, she conceived a sullen and profound hatred for the
shop where she was born, and for the entire Rue des Bourdonnais.
The very name of Levrault exasperated her. When this odious name
(almost always affectedly pronounced) resounded in the school-room
or play-ground, she shuddered painfully, and felt overwhelmed with
shame. One day she had put on a cloth gown. Little de B---- said
to her, "That gown only costs you the making." Every one laughed
except Laura, who swallowed her tears. Another time they asked her if
one of her ancestors was not at the Field of the Cloth of Gold. On
another occasion, Miss de R---- and Miss de C----, already versed in
heraldry, took a fancy to compose her coat-of-arms. These were canting
heraldry--a field sinople, with a gold metre in a bend, supported by
two silver leverets courant. Laura took to her bed. Thus was it, that
at every opportunity, and even without pretext, they enlarged and
envenomed her wounds. Needless to say what mysterious sympathies and
secret intelligence such an education bade fair to establish between M.
Levrault and his daughter. At the age of eighteen, Miss Levrault was
what is usually called a pretty girl--red and white, abundant brown
hair, eyes well opened, smooth, clear forehead, and an elegant figure.
In the _tout-ensemble_, however, there was an indescribable something
rather common--the original shop mark--which would hardly have been
noticed but for the affectation employed to conceal it. Her character
was positive, and her imagination sedate: her heart was sure of itself,
and had never rambled in the region of dreams and chimeras. In her the
cold breath of vanity had withered all the flowers which bloom in the
spring-time of life. Had her mother lived, doubtless she would have
succeeded in developing the precious germs that pride had stifled. Left
too early to herself, Laura had neglected, as useless plants, all her
good qualities, and had cultivated only her defects. It were unjust
not to add that she had more accomplishments than most young girls of
her age. Constantly depreciated by her companions, she had neglected
nothing that might raise her above them. She was a good musician, and
painted landscapes with as much skill as can he expected from an artist
who has never studied nature.
Public-domain text, read in full here on John Shaqi.
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