Well, one fine night, after being on deck all day, and the whole
night before, almost, I had turned in to my cot to sleep. From
where I lay I could see the moonshine off the water through the
stern-light in that after-cabin, by the half-open door. I felt
the schooner going easily through the water, with a rise and
fall from the heave of the long Line-swell; so close my eyes I
couldn't, especially as the midshipman could be heard snoring on
the other side like the very deuce. Accordingly I turned out into
the after-cabin, and got hold of one of the Frenchman's volumes to
read, when, lo and behold, I found it was neither more nor less
than Greek, all I knew being the sight of it. Next I commenced
overhauling the bundle of handwriting, which I took at first for
a French log of the schooner's voyage, and sat down on the locker
to have a spell at it. So much as I could make out, in spite of
the queer outlandish turn the letters had, and the quirks of the
unnatural sort of language, it was curious enough--a regular story,
in fact, about his own life, the war, and Buonaparte himself. At
another time I'd have given a good deal to go through with it at odd
hours--and a strange affair I found it was some time afterwards;
but meanwhile I had only seen at the beginning that his name was
_Le Compte Victor l'Allemand, Capitaine de la Marine Française_,
and made out at the end how there was some scheme of his beyond
what I knew before, to be carried out in India,--when it struck me
there was no one on the quarterdeck above. I listened for a minute
through the stern-window, and thought I heard some one speaking over
the schooner's lee-quarter, as she surged along; so slipping on a
jacket and cap, I went on deck at once.
Public-domain text, read in full here on John Shaqi.
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