a sort of haziness that seems to foreshadow the darkness which later is to come over him. The picture does great credit to a very rising artist, Mr F. Newenham, who also exhibits a painting at the Portland Gallery, which we like quite as well as his Cromwell. The subject, _The Princes in the Tower_, is not a very new one, but there is imagination and novelty in its treatment. It is just the same point of time that Delaroche has chosen in his painting of this subject, but there is nothing like an imitation of the great Frenchman. Here the younger child still sleeps, whilst the elder, a princely-looking lad, roused by the noise at the door, gazes anxiously, rather than fearfully, at the shadow cast upon the wall by a hand bearing a lantern. The picture is suggestive and interesting, and in an artistic point of view, also, it merits high praise. In this Portland Gallery (which we may observe, by the way, is most excellently constructed and lighted for the advantageous exhibition of works of art) is a painting by Mr Claxton, _Marie Antoinette with her Children, escaping by the Secret Door from her apartment in Versailles, when the palace was attached by the mob_, which we mention rather on account of the interest of the subject than of its merits as a work of art, these being but of a negative description. Marie Antoinette, dressed rather like a fashionable of the year 1850, is accompanied by a terrified lady, who looks back at the door, half-masked by smoke, through whose broken pannel the bayonets of the rebels cross with those of the loyal grenadiers. Another picture from French history, but selected from a much remoter period, is that of _The Excommunication of Robert, King of France, and his Queen Bertha_, (No. 159 in the Portland Gallery.) which Mr Desanges has executed with some skill. The king, having married his cousin in defiance of the Pope, but with the sanction of three prelates of his kingdom, incurs the pontifical anathema, in common with the prelates and royal family. In the picture, the fiat has just been pronounced, and the extinction of their torches by the officiating priests symbolically completes their mission.