English chess-players have the command of all the chess-periodicals,
which emanate chiefly, if not exclusively, from the London press;
and which have, for many years back, been made the vehicles of
repeated observations intended to depreciate the triumph of
Scotland. Of late these have been even more than usually frequent.
And within the last year, the _Quarterly Review_, which, like the
trunk of an elephant, is as ready to pick up a pin as to uproot a
tree, has opened its pages for remarks on the chess match, conceived
in no very handsome spirit towards the Scotch champions. This we
do not consider to be justifiable conduct on the part of our bulky
contemporary. In the accomplished editor--himself a Scot--it is
in direct antagonism to the principles of Richie, the servitor of
Nigel, who made so vigorous a stand for the credit of the Water of
Leith; and we regret to observe so palpable a falling off from the
fervid patriotism of the Moniplies. The uniform burden of the song
is, that the event of the match was determined by an accident,--or
by what they reckon as nearly equivalent to an accident--an
oversight upon the part of the London Club, to which the best of
players are liable, and which in this instance is said to have been
rather ungenerously taken advantage of by Edinburgh. The Scottish
players have hitherto said very little upon the subject, contenting
themselves with a short but perfectly satisfactory answer, made
immediately after the termination of the match, to some observations
of Mr Lewis, in which, while they conclusively disposed of his views
and inferences, they at the same time stated, that they were "far
from begrudging to the London Club the usual consolation of a beaten
adversary--of going back upon a game, and showing that, if they had
played otherwise at a particular point, they could have won the
game." The constant reiteration of the English statement, however,
is calculated to produce an erroneous impression in the minds of
those not acquainted with the merits of the question.
Public-domain text, read in full here on John Shaqi.
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