Blackwood's Edinburgh Magazine, Volume 68, No. 421, November 1850Various
General
Blackwood's Edinburgh Magazine, Volume 68, No. 421, November 1850
Various
England -- Periodicals; Scotland -- Periodicals
Two can play at that game. Cousin George in the mean time, though
taking no part in the conversation--a circumstance which strikes
us as rather odd--has likewise fallen in love with the beautiful
apparition, and, after her departure, drives Alton "mad with jealousy
and indignation," by talking about the lady rather rapturously, as a
young snob of his kidney is pretty certain to do under circumstances
such as are described. The kinsmen part, and Alton returns to the
garret full of the thoughts of Lillian. She becomes his muse, and with
the aid of a stray volume of Tennyson, he sets himself sedulously to
the task of elaborating poetry. Sandy Mackaye, his censor, betrays
no great admiration for his earlier efforts, which indeed are rather
milk-and-water, and recommends him to become a poet for the people,
pointing out to him, in various scenes of wretchedness which they
visit, the true elements of the sublime. The graphic power and real
pathos of those scenes afford a marvellous contrast to the rubbish
which is profusely interspersed through the volumes. It is much to be
regretted that an author, who can write so naturally and well, should
allow himself to mar his narrative and destroy its interest, by the
introduction not only of absurdities in point of incident, but of
whole chapters of mystical jargon, inculcating doctrines which, we are
quite sure, are not distinctly comprehended even by himself. He has
got much to learn, if not to unlearn, before he can do full justice to
his natural powers. So long as he addicts himself, both in thought and
language, to the use of general terms, he must fail in producing that
effect which he otherwise might easily achieve.
Alton then, though still a tailor, becomes a poet; and, after two years
and a half incubation, produces a manuscript volume, enough to fill a
small octavo, under the somewhat spoliative and suspicious title of
_Songs of the Highways_. Still no talk of publishing. Then comes a
movement among the tailors, caused by Alton's master determining to
follow the example of others, and reduce wages. A private meeting of
the operatives is held, at which John Crossthwaite the Flint counsels
resistance and a general strike; but the faint-hearted Dungs fly from
him, and he finds no supporter save Alton. The two resolve, _coûte qui
coûte_, to hold out, and Crossthwaite takes his friend that night to a
Chartist meeting, where he is sworn to all the points.
Public-domain text, read in full here on John Shaqi.
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