Blackwood's Edinburgh Magazine, Volume 69, No. 423, January 1851Various
History
Blackwood's Edinburgh Magazine, Volume 69, No. 423, January 1851
Various
England -- Periodicals; Scotland -- Periodicals
The death of Siegfried is the catastrophe of the first part of the
poem. Kriemhild laments the death of her peerless knight with a love
more than the love of common women, and which feeds itself on the
intense hatred of the murderer, and the inly-cherished expectation of
revenge. The hoary old Siegmund returns home in silent sorrow, for he
is too weak to offer resistance; and, to complete the matchless wrong,
the thorough-working, never-hesitating Hagan takes unjust possession
of "the Niebelungen treasure"--a famous hoard bestowed by Siegfried
on his wife--thus depriving the fair widow of the means of external
munificence, as he had formerly stopt her source of inward consolation.
Not avarice, but policy, was Hagan's motive for this, as for all his
crimes. He was never a villain without a reason.
"'A prudent man,' said Hagan, 'not for a single hour,
Would such a mass of treasure leave in a woman's power.
She'll hatch, with all this largess, to her outlandish crew,
Something that hereafter all Burgundy may rue.'"
A deep desire of revenge now takes possession of the once gentle mind
of Kriemhild; and all the milk of her affections is metamorphosed into
gall. The best things, it is proverbially said, when abused, become the
worst; and so the revenge of Kriemhild, revealed in the second part of
an essentially Christian poem, works out a catastrophe far more bloody
than the warlike wrath of the heathen Pelidan, or the well-calculated
retribution worked by the bow of the cunning Ulysses,--
"For Earth begets no monster dire
Than man's own heart more dreaded,
All-venturing woman's dreadful ire
When love to woe is wedded."
We have now finished a rapid outline of nineteen adventures of the
Niebelungen Lay; and there are thirty such divisions in the whole
poem. Our space forbids us to detail what follows with equal fullness;
but the extracts already given will have been sufficient to give the
reader a fair idea of the general character of the composition. A brief
summary of the progress of the story, till it ends in the sanguinary
retribution, may therefore content us.
Public-domain text, read in full here on John Shaqi.
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