Blackwood's Edinburgh Magazine, Volume 69, No. 423, January 1851Various
History
Blackwood's Edinburgh Magazine, Volume 69, No. 423, January 1851
Various
England -- Periodicals; Scotland -- Periodicals
And where all this while, you may ask, was Mat-o'-the-Mint? Snug at
home. Some of the upper servants in the household of Squire Bull had
got an inkling of the business he was after, and put questions, which
were neither easy to answer nor agreeable to evade. The Squire himself
began to grumble. Protocol could not help perceiving that he had got
into a scrape by sending out such an envoy; and even the Juggler did
not care to have the matter publicly mentioned, but was willing that it
should fall into oblivion. It is, however, easier to open a negotiation
with Peter, than to get out of one. The difficulty is not to catch
the lobster, but to force him to leave go after he has fastened on
you with his claws; and you shall presently hear what took place in
Bullockshatch, not long after the time when Peter was reinstated in his
patrimony.
HUNGARIAN MILITARY SKETCHES.[19]
The brief but brilliant struggle which was terminated, on the 13th
August 1849, by the surrender of Vilagos, is unquestionably one of the
most remarkable episodes in contemporary history; and numerous as are
the writers, both in Germany and England, who have applied themselves
to exhibit and comment on its circumstances, it yet is not wonderful
that the interest of the subject is far from exhausted. A Schlesinger,
a Pulsky, and a Klapka, graphic and striking as are their delineations
of the singular contest in which they all more or less participated,
have still left much for their successors to tell. The volume before
us--a German collective translation of tales and sketches by several
Hungarian authors--is of a different class from the works of the
above-named writers. It does not aspire to the dignity of historical
memoirs, nor is the form it affects--namely, the romantic--one that we
usually much admire when applied to such recent and important events as
those of which Hungary has been the theatre; events, too, of themselves
so striking and fascinating as to render fictitious colouring
superfluous. Nevertheless, these sketches must be admitted to have
considerable merit. They are vivid and characteristic illustrations of
a remarkable country, a heroic people, and an extraordinary period; and
the amount of fiction interwoven is, in most instances, little more
than is necessary to string together historical facts. Some few of
them have little to do with the late war, but all throw more or less
light upon the state and character of Hungary and its inhabitants.
Their success in that country, the German preface assures us, and we
can readily believe, has been very great. Some of them read like prose
translations of poems; and with the exception of three or four, which
are terse and matter-of-fact enough, their style has often a wild and
metaphorical vagueness, recalling the semi-oriental character of the
country whence they proceed. Those which take for their foundation the
cruelties perpetrated by the Serbs upon the Magyars, and the fearful
Public-domain text, read in full here on John Shaqi.
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