Blackwood's Edinburgh Magazine, Volume 69, No. 424, February 1851Various
History
Blackwood's Edinburgh Magazine, Volume 69, No. 424, February 1851
Various
England -- Periodicals; Scotland -- Periodicals
"His industry was indomitable. The affairs of Parliament were
to be thenceforth the business of his life, and he studied them
minutely. The chief difficulty in this great speaker's way was the
first five minutes. During his exordium, laughter was imminent. He
bent his body almost to the ground, swung his arms over his head,
up and down and around him, and added to the grotesqueness of his
manner a hesitating tone and drawling emphasis. Still there was an
earnestness about him, that at first besought, and, as he warmed,
enforced--nay, commanded attention."
His first entrance into the British House of Commons is described with
the same graphic effect:--
"He had said of Flood 'that he forgot that he was an oak of the
forest, too old and too great to be transplanted at fifty.' And yet
here he was himself. Whether he would take root was the question,
and for some moments very questionable it was. When he rose,
every voice in that crowded House was hushed; the great rivals,
Pitt and Fox, riveted their eyes upon him; he strode forth and
gesticulated--the hush became unanimous; not a cheer was heard; men
looked in one another's faces, and then at the phenomenon before
them, as if doubting his identity. At last, and on a sudden, the
indication of the master-spirit came. Pitt was the first generously
to recognise it. He smote his thigh hastily with his hand--it was
an impulse when he was pleased--his followers saw it, and knew it,
and with a universal burst they hailed the advent and the triumph
of the stranger."
Grattan was sincere, and this sincerity gave at once substance to
his popularity, and power to his eloquence. But, as a politician,
he was rash; and as a prophet, he had to see the failure of all his
predictions. He wielded a torch of exceeding brightness, it is true;
but the torch at once blinded himself and inflamed the nation. His
patriotism was pure, but it wanted practicability. He left no great
measure of public utility behind him. His liberation, as he called
it, of Ireland in 1782, was a showy fiction, to end in the disgrace
of a painful discovery. It was the _liberation_ of a fever to end in
exhaustion; of a dream of opulence and independence, to finish in an
awaking of poverty and despair. Its closest resemblance was to the
late festival at the Hanwell Asylum--an assemblage of lunatics dressed
for the night in feathers and flowers, dancing and feasting, until the
morning light sent them back to their cells, and the drudgery of their
melancholy discipline.
Public-domain text, read in full here on John Shaqi.
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