It is difficult to exaggerate the effect that this discovery produced
on Leonard's train of thought. Some one belonging to his own humble
race had, then, preceded him in his struggling flight towards the
loftier regions of Intelligence and Desire. It was like the mariner
amidst unknown seas, who finds carved upon some desert isle a familiar
household name. And this creature of genius and of sorrow--whose
existence he had only learned by her song, and whose death created, in
the simple heart of her sister, so passionate a grief, after the lapse
of so many years--supplied to the romance awaking in his young heart
the ideal which it unconsciously sought. He was pleased to hear that
she had been beautiful and good. He paused from his books to muse on
her, and picture her image to his fancy. That there was some mystery
in her fate was evident to him; and while that conviction deepened his
interest, the mystery itself, by degrees, took a charm which he was not
anxious to dispel. He resigned himself to Mrs Fairfield's obstinate
silence. He was contented to rank the dead amongst those holy and
ineffable images which we do not seek to unveil. Youth and Fancy have
many secret hoards of idea which they do not desire to impart, even to
those most in their confidence. I doubt the depth of feeling in any man
who has not certain recesses in his soul into which none may enter.
Hitherto, as I have said, the talents of Leonard Fairfield had been
more turned to things positive than to the ideal; to science and
investigation of fact than to poetry, and that airier truth in which
poetry has its element. He had read our greater poets, indeed, but
without thought of imitating; and rather from the general curiosity
to inspect all celebrated monuments of the human mind, than from that
especial predilection for verse which is too common in childhood and
youth to be any sure sign of a poet. But now these melodies, unknown to
all the world beside, rang in his ear, mingled with his thoughts--set,
as it were, his whole life to music. He read poetry with a different
sentiment--it seemed to him that he had discovered its secret. And so
reading, the passion seized him, and "the numbers came."
To many minds, at the commencement of our grave and earnest pilgrimage,
I am Vandal enough to think that the indulgence of poetic taste and
reverie does great and lasting harm; that it serves to enervate the
character, give false ideas of life, impart the semblance of drudgery
to the noble toils and duties of the active man. All poetry would not
do this--not, for instance, the Classical, in its diviner masters--not
the poetry of Homer, of Virgil, of Sophocles--not, perhaps, even that
of the indolent Horace. But the poetry which youth usually loves and
appreciates the best--the poetry of mere sentiment--does so in minds
already over predisposed to the sentimental, and which require bracing
to grow into healthful manhood.
Public-domain text, read in full here on John Shaqi.
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