Blackwood's Edinburgh Magazine, Volume 69, No. 427, May, 1851Various
General
Blackwood's Edinburgh Magazine, Volume 69, No. 427, May, 1851
Various
England -- Periodicals; Scotland -- Periodicals
In describing the general character of the work, it would be grievous
injustice to omit mention of the admirable manner in which it is
illustrated. It is enriched with 14 engravings on steel, and 589 on
wood, of the most exquisite quality. The portraits of the animals
are not from fancy, but are faithful likenesses from life; and we
know nothing more excellent or characteristic--not even Professor
Low's elaborate and coloured plates of the domesticated animals. In
one department the author has, with admirable success, called in
the engraver's aid. We refer to the insects infesting that portion
of vegetable and animal life in which the farmer is peculiarly
interested. This is a province of agricultural instruction which, if
not hitherto neglected, has certainly not been treated by any preceding
author in a useful and intelligible, manner. Mr Stephens describes
the insect-invaders of the farm with a precision that will satisfy
scientific readers; but Mr Stephens does not demand, as seems to have
been unreasonably done by his predecessors, that farmers shall be
familiar with the tremendous terminology of entomological science. He
places the little pests before us in vivid pictures true to the life,
and evidently from it; so that, without determining the import of such
startling vocables as "apterous," "coleopterous," and "orthopterous,"
the husbandman is at once able to detect the winged and creeping foes,
so weak in single combat, but so devastating in legionary myriads--that
ruin his crops and injure the health of his cattle, tormenting their
patience, and by no means improving the sweetness of his own temper.
The black woodcuts, too, depicturing the principal operations on the
farm, are inimitably graphic. But when it is mentioned that the artists
are Landseer, R. E. Branston, Gourlay Steell, and George H. Slight, the
reader will understand that the choicest embellishments which the fine
arts could render have been devoted to the illustration of _The Book
of the Farm_. It was well thus to charm the young farmer, and to teach
him through the medium of his eyes, by presenting him with portraits
of the finest animals, and models of the best implements, and pictures
delineating the employments in which he and his staff of servants must
engage. We shall be bold to assert that no work on agriculture exists
equal to this for the profusion, originality, and excellence of its
illustrations.
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