Blackwood's Edinburgh Magazine, Volume 71, No. 436, February 1852Various
History
Blackwood's Edinburgh Magazine, Volume 71, No. 436, February 1852
Various
England -- Periodicals; Scotland -- Periodicals
"Very possible, indeed," she replied; "and, unless by some accident,
I feel sure also I never shall. In fact, the rise of a junior
performer entirely depends on the health or longevity of the senior.
There have been limping old men tottering through Ranger and Charles
Surface, exactly as they had done for forty years; and keeping in
those parts for the express purpose of debarring younger men from
them, whose talents, they think, would eclipse their reputation."
"But can't a manager give the part to any one he likes?"
"O, no. It is down in Miss de la Rose's engagement that she is to
have all the principal characters."
"But when there are two principal characters in one play?" inquired
my mother.
"Mrs Ferdinand Windleshaw has secured all the second characters. She
is always the Emilia to Miss de la Rose's Desdemona."
"And you!" I cried--"is there no part left for you?"
"Both those ladies would leave the theatre at once if I were allowed
to speak one line."
"Then, my dear Miss Claribel," said my mother, greatly won by the
simple openness of the visitor, "why do you remain on the stage, or
rather not on the stage, but behind the scenes? You could surely
find some other way of making your extraordinary talents of use."
"I draw a little in the intervals of study," she replied, "and
compose a little music. I make quite enough for my own support; and,
in short, there are reasons why I continue true to the stage."
"I have known you too short a time," replied my mother, "to ask you
for your confidence; but I assure you I take a great interest in
your success, and I hope you will always consider me a friend."
Miss Claribel took my mother's hand. "I won't try to thank you," she
said; "for such kindness overcomes me. If you knew the loneliness
of a poor actress's life, the solitude of the desolate room she
goes back to after the glare of the lamps, the friendlessness she
experiences in the very midst of the clapping of innumerable hands,
you would know how doubly valuable to her heart is the kind sympathy
of a lady in your position. You give me a new tie to existence in
letting me feel assured of your goodwill, and I will come and see
you whenever I feel my griefs too much for me to sustain alone."
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account