Blackwood's Edinburgh Magazine, Volume 71, No. 436, February 1852Various
History
Blackwood's Edinburgh Magazine, Volume 71, No. 436, February 1852
Various
England -- Periodicals; Scotland -- Periodicals
"But you, good Hubert, go before,
Fill me a goblet of May-drink,
As aromatic as the May
From which it steals the breath away,
And which he loved so well of yore;
It is of him that I would think.
You shall attend me, when I call,
In the ancestral banquet-hall."
Previous to retiring, however, he utters the following soliloquy,
which we transcribe as a passage of considerable descriptive merit.
"The day is done; and slowly from the scene
The stooping sun upgathers his spent shafts,
And puts them back into his golden quiver!
Below me in the valley, deep and green
As goblets are, from which in thirsty draughts
We drink its wine, the swift and mantling river
Flows on triumphant through those lovely regions,
Etched with the shadows of its sombre margent,
And soft, reflected clouds of gold and argent!
Yes, there it flows for ever, broad and still,
As when the vanguard of the Roman legions
First saw it from the top of yonder hill.
How beautiful it is! Fresh fields of wheat,
Vineyard, and town, and tower with fluttering flag,
The consecrated chapel on the crag,
And the white hamlet gathered round its base,
Like Mary sitting at her Saviour's feet,
And looking up at his beloved face!
O friend! O best of friends! Thy absence more
Than the impending night darkens the landscape o'er!"
The scene then changes to the farm where Prince Henry is residing.
Elsie, the farmer's daughter, scarcely more than a child in years,
but a woman in tenderness and devotion, is as beautiful a conception
as ever was formed in the mind of the poet. She resolves, in
conformity with the mysterious remedy suggested by the doctors of
Salerno, to offer her life for that of her Prince, and communicates
her resolution to her parents. We regard this scene as by far the
most touching in the drama; and, as we have quoted passages in which
the author does not appear to great advantage, we gladly request the
attention of the reader to extracts of another kind. We regret that
our limits will not permit us to transcribe the scene at length.
URSULA.
"What dost thou mean? my child! my child!
ELSIE.
That for our dear Prince Henry's sake,
I will myself the offering make,
And give my life to purchase his.
URSULA.
Am I still dreaming or awake?
Thou speakest carelessly of death,
And yet thou knowest not what it is.
ELSIE.
Public-domain text, read in full here on John Shaqi.
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