Blackwood's Edinburgh Magazine, Volume 71, No. 436, February 1852Various
History
Blackwood's Edinburgh Magazine, Volume 71, No. 436, February 1852
Various
England -- Periodicals; Scotland -- Periodicals
as effecting the exact union between sentiment and execution,
which is the true and rare consummation of the Ideal in Art. But
observe, while in these personages of the group are depicted the
deeper and graver agencies implicated in the bright but terrible
invention--observe how little the light epicures of the hour heed
the scowl of the monk, or the restless gesture of Richard, or the
troubled gleam in the eyes of the artizan--King Edward, handsome
_Poco curante_, delighted, in the surprise of a child, with a new
toy; and Clarence, with his curious yet careless glance--all the
while Caxton himself, calm, serene, untroubled, intent solely
upon the manifestation of his discovery, and no doubt supremely
indifferent whether the first proofs of it shall be dedicated
to a Rivers or an Edward, a Richard or a Henry, Plantagenet or
Tudor--'tis all the same to that comely, gentle-looking man. So is
it ever with your Abstract Science!--not a jot cares its passionless
logic for the woe or weal of a generation or two. The stream, once
emerged from its source, passes on into the Great Intellectual Sea,
smiling over the wretch that it drowns, or under the keel of the
ship which it serves as a slave.
Now, when about to commence the present chapter on the Varieties
of Life, this masterpiece of thoughtful art forced itself on my
recollection, and illustrated what I designed to say. In the
surface of every age, it is often that which but amuses, for the
moment, the ordinary children of pleasant existence, the Edwards
and the Clarences, (be they kings and dukes, or simplest of simple
subjects,) which afterwards towers out as the great serious epoch
of the time. When we look back upon human records, how the eye
settles upon WRITERS as the main landmarks of the past! We talk of
the age of Augustus, of Elizabeth, of Louis XIV., of Anne, as the
notable eras of the world. Why? Because it is their writers who
have made them so. Intervals between one age of authors and another
lie unnoticed, as the flats and common lands of uncultured history.
And yet, strange to say, when these authors are living amongst us,
they occupy a very small portion of our thoughts, and fill up but
desultory interstices in the bitumen and tufo wherefrom we build
up the Babylon of our lives! So it is, and perhaps so it should
be, whether it pleases the conceit of penmen or not. Life is meant
to be active; and books, though they give the action to future
generations, administer but to the holiday of the present.
And so, with this long preface, I turn suddenly from the Randals and
the Egertons, and the Levys, Avenels, and Peschieras--from the plots
and passions of practical life, and drop the reader suddenly into
one of those obscure retreats wherein Thought weaves, from unnoticed
moments, a new link to the chain that unites the ages.
Public-domain text, read in full here on John Shaqi.
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