Blackwood's Edinburgh Magazine, Volume 71, No. 436, February 1852Various
History
Blackwood's Edinburgh Magazine, Volume 71, No. 436, February 1852
Various
England -- Periodicals; Scotland -- Periodicals
"No wonder you are affected by the recollection of all his benefits.
But when once you have seen him, you will find yourself ever after
at your ease. And so, pray smile and look as good as you are; for I
am proud of your open honest look when you are pleased, mother. And
he must see your heart in your face as I do."
With this, Leonard put his arm round the widow's neck and kissed
her. She clung to him fondly for a moment, and he felt her tremble
from head to foot. Then she broke from his embrace, and hurried out
of the room. Leonard thought perhaps she had gone to improve her
dress, or to carry her housewife energies to the decoration of the
other rooms; for "the house" was Mrs Fairfield's hobby and passion;
and now that she worked no more, save for her amusement, it was her
main occupation. The hours she contrived to spend daily in bustling
about those little rooms, and leaving everything therein to all
appearance precisely the same, were among the marvels in life which
the genius of Leonard had never comprehended. But she was always so
delighted when Mr Norreys or some rare visitor came; and said, (Mr
Norreys never failed to do so,) "How neatly all is kept here. What
could Leonard do without you, Mrs Fairfield?"
And, to Norreys' infinite amusement, Mrs Fairfield always returned
the same answer. "'Deed sir, and thank you kindly, but 'tis my
belief that the drawin'-room would be awful dusty."
Once more left alone, Leonard's mind returned to the state of
reverie, and his face assumed the expression that had now become
to it habitual. Thus seen, he was changed much since we last
beheld him. His cheek was more pale and thin, his lips more firmly
compressed, his eye more fixed and abstract. You could detect, if
I may borrow a touching French expression, that "sorrow had passed
by there." But the melancholy on his countenance was ineffably
sweet and serene, and on his ample forehead there was that power,
so rarely seen in early youth--the power that has conquered, and
betrays its conquests but in calm. The period of doubt, of struggle,
of defiance, was gone for ever; genius and soul were reconciled to
human life. It was a face most loveable; so gentle and peaceful
in its character. No want of fire; on the contrary, the fire was
so clear and so steadfast, that it conveyed but the impression of
light. The candour of boyhood, the simplicity of the villager were
still there--refined by intelligence, but intelligence that seemed
to have traversed through knowledge--not with the footstep, but
the wing--unsullied by the mire--tending towards the star--seeking
through the various grades of Being but the lovelier forms of truth
and goodness; at home as should be the Art that consummates the
Beautiful--
"In den heitern Regionen
Wo die reinen Formen wohnen."[57]
Public-domain text, read in full here on John Shaqi.
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