Perhaps it may not be altogether fanciful to deduce that love of _fair
play_, or rather of fair fighting, and that generosity to the vanquished
which refuses to strike an adversary when _down_--traits which
confessedly distinguish the national character of the English--to these
more liberal customs which prevail in naval combat, the form in which
war is so well known and honoured amongst them. Their naval victories,
and the spirit in which they have been won, fill the imagination from
the earliest years, and animate and regulate the combative propensities
of the boy. Only strike your colours--know me for your better,--exclaims
the young hero, and his adversary may quit the field uninjured--nay,
shall be protected from all other assailants. Our national character,
some may be disposed to suggest, has given the tone to our naval
combats, and not these the temper which distinguishes our national
character; seeing there is nothing peculiarly mollifying in the
circumstances themselves of a sea-fight. Perhaps not; but still the
customs which prevail in maritime warfare have a less capricious, and
what will be thought a less noble, cause than the national character of
the people who have chiefly distinguished themselves in it. We suspect
they must be traced to the vulgar, but the constant motive of cupidity.
In a naval combat one great object of victory is to capture the vessel
itself--a prize in which all are interested. If it were not the custom
to spare the vanquished crew--if, on the contrary, it were the custom to
put them to death, no enemy would surrender his ship; he would rather
set fire to it, or sink it, and sink with it in the waves. Were not the
conquered secure of their lives on the surrender of their vessel, they
would have no motive whatever for suffering it to become the rich prize
of their adversary. On this account it is, and not because men are a
whit more disposed to spare their enemies on sea than on land, that by
general consent the battle is supposed to be at an end the moment the
flag is struck.
As to that “fourth case,” in which a fatal broadside sinks one of the
combatants, we have no difficulty in believing that a quick revulsion of
feeling may naturally take place, and that hostility may suddenly change
into compassion on beholding their drowning enemy within the clutch of
their great common adversary, the sea. But even this change of feeling
has been facilitated by the previous habit of regarding the combat as
definitively closed when a ship has been fought as long as possible.
Public-domain text, read in full here on John Shaqi.
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