“So saying, Vassigny pressed his friend’s hand, addressed a few polite words to the master of the house, who seemed touched and surprised at this unusual piece of courtesy, and passed into the adjoining saloon. The ball was at the gayest; the elegant costumes had lost nothing of their freshness, the faces of the women, animated by pleasure, as yet showed no traces of fatigue. The orchestra, conducted by Tolbecque, was remarkable for its spirit and harmony. Every thing in this charming fête was calculated to excite the indignation of those narrow-minded reformers who cannot understand that the luxury of the rich gives bread to the poor. Vassigny sauntered for some time through the crowd, shaking hands with friends and bowing to ladies; but it was easy to judge from his irregular movements and wandering glances, that he had not undertaken this peregrination without an object. At last he reached the door of a little boudoir--a delightful and mysterious asylum, hung with silk and perfumed with flowers. A chosen few had taken refuge in this sanctuary, where the murmur of the ball and the crash of the orchestra arrived faint and subdued. Here Vassigny seemed to have attained the goal he had proposed himself, as his eyes rested upon a lady gracefully sunk in an arm-chair, and chatting familiarly with M. de Kersent. It were necessary to borrow the swan-quill of Dorat, of gallant memory, faithfully to trace a portrait of this young woman, then in the flower of her age and beauty. Priding ourselves, unfortunately, on being of our century, and consequently very ungallant, we shall merely say, that it is impossible to imagine a sweeter or more charming countenance: without having the regularity of a classic model, the features were replete with fascination. Her eyelids, fringed with long curved lashes, protected eyes whose liquid and languishing expression was exchanged at intervals for bright and brilliant glances, indicative of a passionate and powerful organisation. The arch of her eyebrows was accurately and delicately pencilled; so affable was her smile, so white and regular her teeth, that one dared not call her mouth large, or tax it with extending--according to Bussy Rabutin’s expression--from ear to ear. Her neck and shoulders, perfectly moulded and of dazzling whiteness, would have enchanted a sculptor. Her dress, extremely plain, was of white lace; a wreath of fresh-gathered corn-flowers decked her head--the humble field-blossom seeming proud of its place in the midst of a magnificent forest of golden hair, worthy to support a diadem. A bunch of the same flowers in her hand, completed a costume whose simplicity was equalled by its elegance.”