“‘Allow me to tell you, sir, that the men of your generation, accustomed
to live with courtezans, and to seek venal and ready-made loves, are
ignorant of what is due to women because they are women. None make more
allowance than I do for the levities of youth. But what I blame is, that
in utter wantonness, and for the gratification of an idle curiosity, you
lift the curtain shrouding a secret, and pour out misery and desolation
upon a poor woman, more deserving, perhaps, of censure than of utter
condemnation. Be not more severe than a husband,--you, a young man,
liable to profit by such errors; and remember that a true gentleman will
respect women even in their weaknesses. Weigh my words, M. de Movillez;
you will not be offended at my frankness.’”
A few hours after this scene, the Countess do Marsanne, alone in her
boudoir, and busy with her embroidering frame, receives a visit from her
husband. Just returned from one hunting-party, and about to start upon
another, the incorrigible sportsman is seized with remorse at the
solitude to which his wife is condemned, and, touched by her resignation
to a lonely and cheerless existence, he generously resolves to sacrifice
his own pleasures to her happiness. He proposes that they should go to
Italy, and pass the winter at Florence or Naples, where he trusts to
wean himself from the chase and acquire a taste for domestic enjoyments.
The Countess refuses to take advantage of the generous impulse,
professes her sincere friendship for her husband, but avows that her
love for him has fled, driven from her heart by suffering and neglect.
“At this moment Madame de Marsanne’s maid came to tell her that her
bedroom was ready for her reception. Then she added:
“‘I have looked every where for the purse of Madame la Comtesse, but it
is no where to be found.’
“At these words, Marsanne’s countenance assumed a singular paleness, and
it was all he could do to master his emotion and say to his wife:
“‘You have lost your purse?’
“‘Yes,’ replied the Countess, unobservant of her husband’s agitation;
‘or, rather, I have mislaid it in some corner.’
“‘It was doubtless of value?’
“‘Oh! by no means. A little green silk purse, my own work, and nearly
empty.’
“The Count remained motionless, like a man struck by a thunderbolt.
“‘You have no commissions for Plessy?’ he at last articulated, breathing
short and quick, and not knowing what he asked.
“‘I thought you just said you were going to Orleans,’ replied the
Countess.
“‘I shall visit Plessy on my return.’
“‘Then kiss my little godson Henriot. Much pleasure to you; and return
as soon as possible.’
“Marsanne raised the Countess’s hand to his lips, and left the boudoir;
but he staggered like a drunken man, and was obliged to support himself
by the bannister in order to reach his room.
Public-domain text, read in full here on John Shaqi.
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