“‘On the second day I threw away my foolish prejudices in favour of great authors. They are like other people. Here, every one knows that they are like the earth, that looks from a distance, from heaven, like a shining moon, but when the foot is upon it, it is found to be made of _boue de Paris_ (Paris mud.) An opinion concerning Herder, Wieland, or Göethe, is as much contested as any other. Who would believe that the three watch-towers of our literature avoid and dislike each other! I will never again bend myself anxiously before any _great_ man, only before the _virtuous_. Under this impression, I went timidly to meet Göethe. Every one had described him as cold to every thing upon the earth. Madam von Kalb said, he no longer admires any thing, not even himself. Every word is ice! Curiosities, merely, warm the fibres of his heart. Therefore I asked Knebel to petrify or incrust me by some mineral spring, that I might present myself to him like a statue or a fossil. Madam von Kalb advised me, above all things, to be cold and self-possessed, and I went without warmth, merely from curiosity. His house, palace rather, pleased me; it is the only one in Weimar in the Italian style--with such steps! A Pantheon full of pictures and statues. Fresh anxiety oppressed my breast! At last the god entered, cold, one-syllabled, without accent. ‘The French are drawing towards Paris,’ said Knebel. ‘Hm!’ said the god. His face is massive and animated, his eye a ball of light. But at last, the conversation led from the campaign to art, publications, &c., and Göethe was himself. His conversation is not so rich and flowing as Herder’s, but sharp-toned, penetrating, and calm. At last, he read, that is, he played for us, an unpublished poem, in which his heart impelled the flame through the outer crust of ice, so that he pressed the hand of the enthusiastic Jean Paul. (It was my face, not my voice, for I said not a word.) He did it again when we took leave, and pressed me to call again. By Heaven! we will love each other! He considers his poetic course as closed. His reading is like deep-toned thunder, blended with soft whispering rain-drops. There is nothing like it.’” To which add the following passage, where we are sorry to find rather an unfavourable mention of our great favourite Schiller. Authors, however, especially poets, are a strange race: he who expects to find them always like their books, knows little. How unlike is Vesuvius, being calm and mantled with green grass, to the same Vesuvius when it spouts molten rock and spits lightning!