flashed or melted, and that smile played and that lip pouted, as
brightly and pertly, for others, one and all, as for your own dear
envious self. Beside her, she was your queen and empress; away, she was
a little minx, a sweet little flirt. To sum up, in dancing she was a
fairy, in singing a cherub, and far or near an enchanting, bewitching
creature.
Luis Mendoza, the father of these ladies, was a rare old Spaniard. He
had travelled a good deal in Europe, especially in England, where he had
acquired not only some knowledge of the language but also a predilection
for its convivial habits; and brandy and water had more charms for him
in a cool evening, than _matte_ or _eau sucrée_. He had early lost his
helpmate, and, freed from this check on his convivial habits, it
required little encouragement on his part to keep his house constantly
full of _bon vivants_ to assist him at the duties of the table, and
gallants to amuse his daughters in the sala; and more of his gallants
and _bon vivants_ were to be found among the Anglo-Saxons than among the
natives. Thus were Mariquita and Anita Mendoza accustomed from their
earliest years to the language of adulation; and from having the duties
of a household thus early thrust upon each, there was less of maidenly
reserve, a little more of maidenly coquetry, with a dash more of
masculine character, than in other circumstances would have been
becoming at such tender years.
These ladies were seated alone in an elegantly fitted up sala, the elder
busy with her needle at some fancy work, and the other idly and
listlessly hurrying her soft white little dimpled fingers over the keys
of a rich-toned piano--to a well-known air in South America, the words
of which imply that the singer never, never, never will get married--
“No no no no quiero,
No quiero casarme
Es mejor, es mejor,
Ser soltéra
Siempre paseandera
Del mundo
Del mundo gozar.
Amantes amantes
Constantes se encuentran
Muy pocos al dia
Con cara tan fresca
Como una violéta
Y con ojos tan
Brillantes a mi gusto.
“Well, Mariquita,” said the young lady, throwing aside the music, “I
admire the patience you can bestow upon that endless sampler, when you
must feel as tired and exhausted as I am.”
“Of course, Anita, after that ball, sampler work is rather tame and
tedious; but what shall we do?”
“I am afraid we shall have nobody out here to-day,” said Anita, with a
kind of suppressed yawn.
“I see how it is, Anita; you are wearying already for even a languid
compliment to those flashing eyes of yours.”
“Depend upon it, Mariquita, that my eyes could stand no comparison to
your lips with any man of taste.”
“How did you relish Bruin’s hugs last night?” retorted the elder.
“Oh, the dear Bruin! I could not forbear hugging him now in return, were
he here to enliven us. And _gracias a Dios_, here he is!”
Scarcely were the words uttered, when the portly person and beaming face
of Tom Thorne stood before them.
Public-domain text, read in full here on John Shaqi.
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