Blade-O'-Grass. Golden Grain. and Bread and Cheese and Kisses.Farjeon, B. L. (Benjamin Leopold)
General
Blade-O'-Grass. Golden Grain. and Bread and Cheese and Kisses.
Farjeon, B. L. (Benjamin Leopold)
Christmas stories; Fiction
'Yes, sir, of course I'm glad. But I've been thinkin' of a good many
things. I've been thinkin' of baby, and--and----'
She bit her lips, as if that effort were necessary to restrain the
expression of what was in her mind.
'Don't hide anything from me, my dear; tell me what you've been
thinking of.'
'I 'ardly know 'ow to tell it, sir. My thoughts seem as if they was
turnin' agin myself. I see that I must ha' been goin' on wrong all my
life, and that Tom 's been doin' the same. And my 'eart's fit to
break, when I think it can't be altered now!'
'It can be altered, my child.'
She looked at me imploringly.
'You've said somethin' like that afore, sir; but it's all dark to me.
Tom'll come 'ome to-morrer, and things'll go on in the old way, and
per'aps he'll be took up agin before long----'
She could not proceed for her tears.
'You see, my dear, that the life he is leading is wrong.'
'I see it, sir--I see it. It'd be better, arter what you've told me,
if Tom and me was to die to-morrer!'
'Our lives are not in our own hands, my dear. What has been done in
the past has been done in ignorance, and the shame of it can be wiped
away. It _is_ shame, my dear. Place yourself and Tom by the side of
Ruth and _her_ husband.'
She uttered a cry, as if a knife had struck her. But I continued:
'Place your home by the side of theirs. See the happy future that lies
before them, and think of what lies before you, if, as you have said,
things go on with you in the same old way.'
She covered her face with her hands. I was striking her hard, but I
knew it was necessary for the sacrifice I was about to call upon her
to make. I drew a picture of the two homes. I placed children in them,
and contrasted their appearance, their lives, their chances of
happiness. I did not spare her; I spoke with all my strength and
earnestness. Suddenly she interrupted me with wild looks and in a wild
tone.
'What are you tellin' me all this for?'
'Because it is in your power to choose between them,' I replied. 'Not
only for yourself, but for Tom. His future is in your hands to shape
to a good end, if you have the courage to make a sacrifice. Nay, not
only his future in this world--his soul is in your hands to save and
purify!'
She parted the hair from her eyes, and gazed at me as if she were in a
dream.
'Will you do this? Will you save your husband from the net of crime
and shame in which he is entangled?'
'Will I do it?' she cried, in a tone of wonder. 'Can you arks me? Show
me the way!'
I did. I told her the end I had been working for. I read Richard's
letter to her, and dilated upon the prospect it held out.
Public-domain text, read in full here on John Shaqi.
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