Blazing the Way; Or, True Stories, Songs and Sketches of Puget SoundDenny, Emily Inez
History
Blazing the Way; Or, True Stories, Songs and Sketches of Puget Sound
Denny, Emily Inez
Indians of North America -- Northwestern States; Oregon Territory -- History; Washington (State) -- History
At one time she had a large correspondence with curious young Eastern
people who wished to know something of the far Northwest; to these she
sent accurate and graphic descriptions of tall trees, great mountains,
waterfalls, lakes and seas, beasts, birds and fishes. She possessed no
mean literary talent; without her knowledge some of her letters strayed
into print. A very witty one was published in a newspaper, cut out and
pasted in the scrapbook of an elocutionist, and to her astonishment
produced as a "funny piece" before an audience among whom she sat, the
speaker evidently not knowing its author. A parody on "Poe's Raven" made
another audience weep real tears in anguished mirth.
Every felicitous phrase or quaint conceit she met was treasured up, and
to these were added not a few of her own invention, and woe betide the
wight who accompanied her to opera, concert or lecture, for her _sotto
voce_ comments, murmured with a grave countenance, were disastrous to
their composure and "company manners."
It must be recorded of her that she gave up selfish pleasures to be her
mother's helper, whose chief stay she was through many years. In her
last illness she said, with much tenderness, "Mother, who will help you
now?"
Madge was a true _lady_ or _loaf-giver_. Every creature, within or
without the domicile, partook of her generous care, from the pet canary
to the housedog, all the human inhabitants and the stranger within the
gates.
Moreover, she was genuine, nothing she undertook was slighted or done in
a slipshod manner.
Her taste and judgment were accurate and sound in literature and art;
her love of art led her to exclaim regretfully, "When we are dead and
gone, the landscape will bristle with easels."
A scant population and the exigencies of the conditions placed art
expression in the far future, yet she saw the vast possibilities before
those who should be so fortunate as to dwell in the midst of such native
grandeur, beauty and richness of color.
Like many other children, we had numerous pets, wild things from the
forest or the, to us, charming juvenile members of the barnyard flocks.
When any of these succumbed to the inevitable, a funeral of more or less
pomp was in order, and many a hapless victim of untoward fate was thus
tearfully consigned to the bosom of Mother Earth. On one occasion, at
the obsequies of a beloved bird or kitten, I forget which, Madge, then
perhaps six years of age, insisted upon arranging a litter, draped with
white muslin and decorated with flowers, and followed it, as it was
borne by two other children, singing with serious though tearless eyes,
"We're traveling to the grave
To lay this body down,
And the last word that I heard him speak
Was about Jerusalem," etc.
She was so thoroughly in earnest that the older children refrained from
laughing at what some might have thought unnecessary solemnity.
Public-domain text, read in full here on John Shaqi.
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