Bildungsromans; Blind -- Fiction; Parent and child -- Fiction; Young men -- Fiction
Listen to that bird, singing as though there were nothing better to do
in the world. Barwood was so far away now, yet because he had seen
there, perhaps, he could not get away. The roar of the streets reminded
one of the quiet which had been over it, where sounds came as if
distilled by the great distances; and then Margaret was so different to
June, June who had never known her place in the order of things--there
was no place for her--and Margaret who knew her position exactly, and
was so sure of herself. Why had that bird chosen this house on which to
sing, little inconsequent notes being flung at the blue sky, crystal
notes that shattered against the tawdriness of these dying flowers and
of his own discontent? A car bore down and overwhelmed the song, but it
emerged once more as the car sped away and made him ask if he had done
right, to leave June like that, and to take Mamma away. For the garden
at Barwood would be bursting into life just now, all the birds would be
singing, and if Mamma were there she would be spying over the border
and endlessly conferring with Weston. He would have been able to share
in the spring as well, lying on the lawn in a chair he would have
passed hours feeling the leaves come out and everything changing round
him, while he was out of it in London, too lost, too tired to raise his
head above the clatter of the streets, where everyone except himself
had work to do. He must work.
He would write. At Noat he had thought about it, at Barwood he had
talked about it, but he must work at it up here, there was nothing else
to do, as he was left alone for hours, they were all so busy. In time
he could get to understand the streets and so to write about them, for
in time one would know more about them than people ever would who had
sight. It was so easy to see and so hard to feel what was going on, but
it was the feeling it that mattered. A bell rang downstairs. Someone
was at the front door, coming to see him, perhaps; and then there was
Mamma’s voice with a shy laugh in it, saying:
“Why, it’s Lorna! My dear, I recognised you at once. How nice of you!
Just think, you after these years and years. I happened to be passing
so I opened.”
And a strange voice was talking at the same time, then they both
kissed--why need Mamma kiss so loudly in London?--and the strange voice
rose over Mamma’s and was saying:
“Emily--such ages and ages ...”
Public-domain text, read in full here on John Shaqi.
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