Bildungsromans; Blind -- Fiction; Parent and child -- Fiction; Young men -- Fiction
“Yes. Leastways he doesn’t write, but he talks beautiful. About stars
and things. I can’t understand him half the time, so I just say ‘Yes’
or ‘No’ to keep him company. He is a wonderful man.”
“And you must lead a most thrilling life all alone with a poet in that
house. Mamma says that the garden was--is very beautiful.”
“Yes, it is full of trees and things.”
“So wild. Such a free life.”
“Free? Well, I don’t know about that. But we have some chickens, only
they have to be fed. And there’s the cat. She killed a great big mouse
the other day.”
“Did she!”
“Yes, an’ there’s the chicks that get lost in the grass, I love them,
an’ there’s a starling that nests every year in the chimney, and my own
mouse which plays in my room at night, an’ ...”
God, the boredom of this.
“... but sometimes I hate it all.”
“It must be horrid for you.”
“I’ve had no one else to tell it all to.”
“No, of course not. June, here we are in the wood. Do you feel the
hollowness of it? For the trees crowd about us, and their branches roof
us in slyly, with sly noises that one can just hear. And we seem to be
in another world now, for the cart that is creaking along the road
outside is so faint, floating through the twigs that urge the sound
gently along as they are tickled by the wind. So that we might be on
our way to some dark and dangerous spot. June, it is mediæval.”
“What’s that?”
“It means long ago. But we are happy together, aren’t we? You know, you
are the only person I would take with me to Swan’s Wood.”
There was Mummy, but she did not count.
“Why?”
“Because I used to spend so much of my youth at the top there, thinking
great thoughts.”
“But why only me?”
“Surely you know.”
“Perhaps I don’t.”
“Oh yes, you do.”
“When I was little I used to tell everything to a friend I had then.
We used to walk in the lane, down at Broadlands. One day she tripped up
and cut her leg.”
“And I have never told anyone everything.”
“Tell me.”
“I will some day, it would take too long now. June, are we getting near
the top now?”
And he would tell her, it would help, though she would not understand.
But he would never tell her of his writing, that was too important.
“I see light behind the trees.”
“We are getting there. This must be near the top of the hill, and you
are not a bit out of breath.”
“My! an’ here we are. Is that your view? I don’t see much in it, not
that it isn’t very pretty though.”
“Shall we sit down?”
“Yes.”
She lets go of his hand and they sit down.
“June, give me back your hand, it makes you so much more real.”
“There it is, silly.”
“And what do you see of my view?”
“There are fields an’ trees an’ the river an’ behind that the hill with
the waterworks’ tower an’ to the right there is the town with the
Abbey, no more than that.”
“That is all gone for me, anyway. June, my hand is so comfortable in
yours.”
“Is it?”
“Yes. Your hand is warm and so strong. But it is only just big enough
to hold mine.”
“Shall we change round?”
Public-domain text, read in full here on John Shaqi.
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