Europe -- Social life and customs -- Fiction; New Zealand -- Social life and customs -- Fiction; Short stories, New Zealand
“Very good, very good, indeed,” said Reginald, playing chords that
would waft a hardened criminal to heaven. “Make the notes round. Don’t
be afraid. Linger over them, breathe them like a perfume.”
How pretty she looked, standing there in her white frock, her little
blonde head tilted, showing her milky throat.
“Do you ever practise before a glass?” asked Reginald. “You ought to,
you know; it makes the lips more flexible. Come over here.”
They went over to the mirror and stood side by side.
“Now sing—moo-e-koo-e-oo-e-a!”
But she broke down, and blushed more brightly than ever.
“Oh,” she cried, “I can’t. It makes me feel so silly. It makes me want
to laugh. I do look so absurd!”
“No, you don’t. Don’t be afraid,” said Reginald, but laughed, too, very
kindly. “Now, try again!”
The lesson simply flew, and Betty Brittle quite got over her shyness.
“When can I come again?” she asked, tying the music up again in the
blue silk case. “I want to take as many lessons as I can just now. Oh,
Mr. Peacock, I _do_ enjoy them so much. May I come the day after
to-morrow?”
“Dear lady, I shall be only too charmed,” said Reginald, bowing her
out.
Glorious girl! And when they had stood in front of the mirror, her
white sleeve had just touched his black one. He could feel—yes, he
could actually feel a warm glowing spot, and he stroked it. She loved
her lessons. His wife came in.
“Reginald, can you let me have some money? I must pay the dairy. And
will you be in for dinner to-night?”
“Yes, you know I’m singing at Lord Timbuck’s at half-past nine. Can you
make me some clear soup, with an egg in it?”
“Yes. And the money, Reginald. It’s eight and sixpence.”
“Surely that’s very heavy—isn’t it?”
“No, it’s just what it ought to be. And Adrian must have milk.”
There she was—off again. Now she was standing up for Adrian against
him.
“I have not the slightest desire to deny my child a proper amount of
milk,” said he. “Here is ten shillings.”
The door-bell rang. He went to the door.
“Oh,” said the Countess Wilkowska, “the stairs. I have not a breath.”
And she put her hand over her heart as she followed him into the
music-room. She was all in black, with a little black hat with a
floating veil—violets in her bosom.
“Do not make me sing exercises, to-day,” she cried, throwing out her
hands in her delightful foreign way. “No, to-day, I want only to sing
songs. . . . And may I take off my violets? They fade so soon.”
“They fade so soon—they fade so soon,” played Reginald on the piano.
“May I put them here?” asked the Countess, dropping them in a little
vase that stood in front of one of Reginald’s photographs.
“Dear lady, I should be only too charmed!”
She began to sing, and all was well until she came to the phrase: “You
love me. Yes, I _know_ you love me!” Down dropped his hands from the
keyboard, he wheeled round, facing her.
Public-domain text, read in full here on John Shaqi.
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