England -- Social life and customs -- 19th century -- Fiction; Genealogy -- Fiction
|At Chiddingwick, meanwhile, Dick Plantagenet himself had been oddly
enough engaged on rather opposite business. When he arrived at the
house in the High Street, so long his father's, he found Maud flown, of
course, and nobody at home but his mother and little Eleanor. Now, if
Maud had been there, being a forcible young person in spite of her frail
frame, she would soon have stirred up Mrs. Plantagenet to take her own
view of the existing situation. But the widow, always weary with the
cares of too large a family for her slender means, and now broken by
the suddenness of her husband's death--thus left without Maud's aid--was
disposed like Dick himself to take the practical side in this pressing
emergency. To her, very naturally, the question of bread-and-cheese for
the boys and girls came uppermost in consciousness. And though it was
terrible they should have to face that sordid question at such a moment
as this, yet that was a painful fate they shared, after all, with the
vast majority of their fellow-creatures, who constantly have to consider
practical difficulties of daily bread at the very time when their
affections have just been most deeply lacerated. The more Dick talked
with his mother, indeed, the more did he feel himself how imperative a
duty it was for him to resign his dream and return home at once, to
do what he could for her and his brothers and sisters. He was a
Plantagenet, he reflected, and _noblesse oblige_. That motto of his race
stood him in good stead on all such occasions. If do it he must, then
do it he would. A Plantagenet should not be ashamed of earning his
livelihood and supporting his family in any honest way, however
distasteful. For no matter what trade he might happen to take up, being
a Plantagenet himself, _ipso facto_ he ennobled it.
Fired with these sentiments, which, after all, were as proud in their
way as Maud's equally strong ones, if not even prouder, Dick went out
almost at once to inquire at the White Horse about the possibility of
his keeping up the rent of the rooms as his father had paid it; for if
the scheme was to be worked no time must be lost over it, so that the
lessons might be continuous. He was a capital dancer himself (worse
luck!) and a tolerable violinist--and, for the matter of that, Maud
could help him with the music; though he shrank, to be sure, from the
painful idea that the heiress of the Plantagenets, a born princess of
the blood royal of England, should mix herself up any longer with that
hateful profession.
Oh, how his soul loathed it! Indeed, on second thoughts he decided
'twould be best for Maud to-be set free from the classes for her
ordinary music lessons. While his father lived he couldn't have done
without Maud; but now the head of the house was gone, never more should
she be subjected to that horrid slavery. Enough that one member of the
family should give himself up to it for the common good. Maud, poor,
delicate, high-strung Maud, should, at least, be exempt.
Public-domain text, read in full here on John Shaqi.
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