Historical fiction; Love stories; Philadelphia (Pa.) -- History -- 18th century -- Fiction; Sea stories
Christopher eagerly put on his hat and tailed coat, and wrote a legend
announcing that because of unavoidable matters his shop would be closed
for a few hours, which he stuck upon the door; then he turned the key
in the lock with care and, with mademoiselle at his side, proceeded
in the direction of Pump Court. This was a wide court, of no great
depth, with three broad-fronted houses on each side of it, and a cool
flagged space between; and in the center stood the pump, with a tub
under its spout, from which the court took its name. There was a little
fringe of grass about the edge of each of the houses, and vines climbed
the walls; the shutters were green and stood wide; the door- and
window-frames were white. Christopher pointed to the sloping roof of
one of the houses, where a dormer-window leaned outward.
"That," said the little apothecary, "is Tom Horn's lodgings."
They climbed the wide, solid steps, and at the top of the house knocked
upon a door. Tom Horn opened it; he did not seem at all surprised, but
only opened it a great deal wider when he saw who it was.
"Come in," he said. "I am glad to see you."
The room was a very large one and sparely furnished; on a broad table,
with lighted candles set about it, was a great clutter of papers.
"Figures," said Christopher, as he looked down at the papers. "All
figures." He looked at Tom Horn and rubbed his own shining crown. "They
must be like a spoken language to you."
"Figures are truer and more dependable than a language made of words,"
said Tom Horn. "The circles come at through them are perfect ones.
There is no bending them to other shapes. Words, now, can be wrought to
fit both prejudice and unreason."
"That is true," said the little apothecary, and he turned a look upon
mademoiselle which told of his admiration for the saying. "That is very
true, indeed."
There were bare spaces upon the walls of Tom Horn's lodgings, and
pinned there were what looked like maps, but maps such as neither
mademoiselle nor Christopher had ever seen before. For about the
islands and along the headlands and through the bulk of the sea
itself were drawn long lines which curled slowly toward an inevitable
roundness. Figures were set down in red ink along these lines, and
arrows of blue pointed out their circular, grasping sweep. Upon the
mantel was a slim array of books, and mademoiselle, as she looked
at their worn sheep bindings and their inked-in titles, saw that
astronomy, navigation, and geometry were the matters there dealt with.
The place had a clean, bare look; the single twinkling light in the
court could be seen from the high window; a thrush on an open perch
stirred now and then and chirped sleepily; and a wooden-wheeled clock
ticked and grumbled in its high case. Mademoiselle listened to the two
men for a space after they had settled down, and then, in a silence
between them, she spoke to Tom Horn.
Public-domain text, read in full here on John Shaqi.
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