"Yes, he said you stayed out there in the summer always, and--"
"We're late," interrupted Mr. Vandeford, snapping his watch with the
same temper he had used on his coffee-cup. "Bring that saucer of peaches
along and eat it in the car."
"I'll take an orange instead," assented Miss Adair, as with all
good-nature and in all naturalness she deserted the last half of the
rosy peach, took an orange from the bowl before her and stood up to go
out to the car, which Valentine had parked in the shadow of the building
opposite.
"You kid, you!" scoffed Mr. Vandeford, with an ache in his heart, but
thanksgiving for that same youthful unsophistication. "Height or
somebody will get it all across to her, and then what'll I do?" he
growled to himself as he followed her into the car.
"And I saw that Mazie--Mazie woman there, too, with a terrible-looking
man that has written ever so many plays that are successful." Mr.
Vandeford was devoutly thankful that Mr. Grant Howard's name had not
stuck in the consciousness of the author of "The Purple Slipper." "I--I
was introduced to them too--because you know you said that I must--must
accept broad standards, and I did--last night." Miss Adair looked away,
but Mr. Vandeford could see that her little ears, set close against her
small head, with their tips covered by a smooth band of hair, grew rosy.
"What?" he gasped, uncertain as to what she meant.
"Talked to that--that playwright and--and drank some champagne. I like
cider better, but Mr. Height ordered it, and I thought--"
Here the car stopped, and Valentine was at the door. Valentine never
failed to be at the door instantly when Miss Adair was in Mr.
Vandeford's car, because his French soul rejoiced within him for thus
serving a grand dame.
"Rooney is on the last lap of the last act, and then he'll begin to
polish the whole for dress rehearsals," Mr. Vandeford said as he held
the curtains of their box aside for her to enter.
"And Mr. Height told me, too, that the Trevors had--"
"Hush!" commanded Mr. Vandeford, becoming the stern producer, because he
felt that he could stand no more of Mr. Height at the Beach Inn, though
he began to listen intently to that same gentleman and Bebe Herne in the
beginning of the great scene of the now authorless play. The anxieties
passed from him, and in a moment he was in harness again with his author
and running in perfect unison.
"Cut it off, Height, cut it off!" commanded Mr. Rooney, and he ran his
hands into his shock of black hair, which stood up all over his head
like a black, sooty mop. "That scene needs something. It isn't big and
simple enough. What did she say to him in your first layout, miss?" he
demanded of Miss Adair, for the first time acknowledging to the company
the presence of the author of their play at the rehearsals. "Can you
remember?"
Public-domain text, read in full here on John Shaqi.
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