"You've no need to fear milk sick now," Doc Robbins tried to reassure
Robert. "It's never found where there's sunlight." Though he could never
figure out whether the deep shade produced a poisonous gas that settled
on the vegetation, or whether it came from some mineral in the ground,
he did know, and so did others, that whatever the cause it disappeared
when sunlight took the place of dense shade.
The incident was scarcely forgotten when ill luck again befell Millie
and Robert. Their barn burned to the ground, reducing their harvest and
their only mule to ashes.
Tongues wagged. "Bad luck comes to the couple married on horseback."
Everyone the countryside over was convinced of the truth of the old
superstition one fall when a tragedy unheard-of overtook Millie at
sorghum-making.
No one ever knew how it happened. But some said that Brock Cyrus's
half-witted boy was the cause of it. He shouted, "Look out thar!" and
Millie, looking up from her task of feeding cane stalks into the mill,
saw, or thought she saw, her babe, Little Robert, toddling toward the
boiling pans. She screamed and lunged forward, and as she did so the
mule started on a run. The beam to which it was hitched whirled about
and struck Millie helpless. Before anyone could reach her side or stop
the frightened mule, her right hand was drawn into the mill, then her
left. With another revolution of the iron teeth of the cane mill both of
her arms were chopped into shreds.
It was necessary for old Doc Robbins to amputate both at the shoulders.
Everyone thought it would take Millie Burns out and they said as much.
But she lived long, long years, even raised a family. All her days she
sat in a strange chair that Robert made. A chair with a high shelf on
which her babes, each in turn, lay to nurse at her breast.
And always the armless woman was pointed out as a warning to young
courting couples, "Don't get married on horseback! It brings ill luck,
no end of ill luck."
DEATH CROWN
Once you evidence even the slightest respect of a superstition in the
Blue Ridge Country there is ever a firm believer eager to show proof of
the like beyond all doubt. It was so with Widow Plater as we sat by the
flickering light of the little oil lamp in her timeworn cabin that
looked down on the Shenandoah Valley.
Public-domain text, read in full here on John Shaqi.
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