Then Sid put down his fiddle and his mouth harp and drawing from his
coat pocket a crumpled paper, he began again. "My friends, I want to
read you this piece in the _Chicago Daily News_. This is the place to
read it. We ought to be warned about what can happen in this country to
our music, by what has happened to some of our people. Though maybe
sometime it's been for the best. This piece was writ by a mighty knowing
man. His name is Robert J. Casey and he flew from Chicago for his paper
the _Chicago Daily News_ to hear with his own ears the music of the
mountains from the lips of mountain singers at Traipsin' Woman cabin on
the Mayo Trail the second Sunday in June, 1938."
There was a moment's breathless silence over the great gathering there
in Snead's Grove. The look of fear and apprehension gave way to that of
eagerness and hope as Devil Anse Hatfield's kinsman read with quiet
dignity:
"'One breathes a sigh for the Hatfields and McCoys who maintain the
Democratic majority in cemeteries along the West Virginia line. One
voices a word of commendation for the Hatfields and the McCoys who drive
taxi-cabs in Ashland or run quiet, respectable and legal beer parlors in
Huntington. And looking from one group to the other, one realizes that
something has happened to the hill country.
"'A person of imagination standing on the tree-shaded porch of the
Traipsin' Woman cabin up in Lonesome Hollow probably still can hear
echoes of "the singing gathering" which only a few hours ago
demonstrated the essential durability of the hill folks.... Where a day
or two ago there was only a neutral interest in such proceedings, now
people are talking of Elizabethan culture preserved completely for a
matter of centuries by people who lived on the wrong side of the tracks,
just a few rods from the fence of the rolling mills.
"'There is a tendency in some quarters to look upon the sing-festival as
a permanent and predictable community asset. But that is because the
sophisticated and urban population is ignoring the present status of the
McCoys and the Hatfields, as for many years it has ignored the
crack-voiced "ballet" singers and the left-handed virtuosi in its own
backyard.'"
Public-domain text, read in full here on John Shaqi.
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