Come gather east, come gather west,
Come round with Yankee thunder;
Break down the power of Mexico
And tread the tyrants under.
Everyone knew how to play it. The boys stood on one side of the room,
the girls on the other, and when the old woman piped out the very first
notes the boys started for the girls, each with an eye on the one of his
choice. Sometimes two or more of the young fellows were of the same
mind, which added to the fun and friendly rivalry. The one who first
caught the right hand of the girl had her for his partner in the dance
that would follow. Immediately each couple stepped aside and waited
until the others had found a partner. If there was a question about it,
the oldest woman present, who by her years was the recognized matchmaker
of the community, decided the point.
"Who'll do the calling?" asked the hostess, Aunt Binie.
Everyone knew there was not a better caller anywhere than Uncle Mose,
who was just as apt at fiddling. So Uncle Mose proudly took his place in
the corner, chair tilted back against the wall. Fiddle to chin, he
called out: "Choose your partners!"
With a quick eye he singled out one couple. "Lizzie, you've got a bound
to stand to the right of the gent!"
Quickly Lizzie, tittering and blushing, stepped to the other side of
Dave.
"And you, Prudie," Uncle Mose waved a commanding hand, "get on the other
side of John. You fellows from Fryin' Pan best learn the proper ways
here and now."
A wave of laughter swept over the gathering and Uncle Mose, sweeping the
bow across the strings, called: "Salute your partner!"
There was bowing and shuffling of feet and, as the tempo of the fiddle
increased, heels clicked against the bare floor and the caller's voice
rang out above music and laughter:
Salute your corner lady,
Salute your partners, all:
Swing your corner lady
And promenade the hall.
They danced to the fiddle music of O Suzanna and Life on the Ocean Wave,
and Uncle Mose had calls to suit any tune:
Swing old Adam
Swing Miss Eve,
Then swing your partner
As you leave.
Now and then a breathless girl would drop out and rest a moment leaning
against the wall. And just for fun an oldster like Old Buck Rawlins, who
didn't even have a partner, caught up one boot toe and hopped off to a
corner moaning:
Sudie, Sudie, my foot is sore,
A-dancing on your puncheon floor.
Public-domain text, read in full here on John Shaqi.
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