“Weel, Moore,” he called, “and are you gaein' to tie yer dog?”
“I will if you will yours,” the Master answered grimly.
“Na,” the little man replied, “it's Wullie as frichts the Killer aff the
Grange. That's why I've left him there noo.”
“It's the same wi' me,” the Master said. “He's not come to Kenmuir yet,
nor he'll not so long as Th' Owd Un's loose, I reck'n.”
“Loose or tied, for the matter o' that,” the little man rejoined,
“Kenmuir'll escape.” He made the statement dogmatically, snapping his
lips.
The Master frowned.
“Why that?” he asked.
“Ha' ye no heard what they're sayin'?” the little man inquired with
raised eyebrows.
“Nay; what?”
“Why, that the mere repitation o' th' best sheep-dog in the North'
should keep him aff. An' I guess they're reet,” and he laughed shrilly
as he spoke.
The Master passed on, puzzled.
“Which road are ye gaein' hame?” M'Adam called after him. “Because,”
with a polite smile, “I'll tak' t'ither.”
“I'm off by the Windy Brae,” the Master answered, striding on. “Squire
asked me to leave a note wi' his shepherd t'other side o' the Chair.”
So he headed away to the left, making for home by the route along the
Silver Mere.
It is a long sweep of almost unbroken moorland, the well-called Windy
Brae; sloping gently down in mile on mile of heather from the Mere
Marches on the top to the fringe of the Silver Mere below. In all that
waste of moor the only break is the quaint-shaped Giant's Chair,
puzzle of geologists, looking as though plumped down by accident in the
heathery wild. The ground rises suddenly from the uniform grade of the
Brae; up it goes, ever growing steeper, until at length it runs abruptly
into a sheer curtain of rock--the Fall--which rises perpendicular some
forty feet, on the top of which rests that tiny grassy bowl--not twenty
yards across--they call the Scoop.
The Scoop forms the seat of the Chair and reposes on its collar of rock,
cool and green and out of the world, like wine in a metal cup; in front
is the forty-foot Fall; behind, rising sheer again, the wall of rock
which makes the back of the Chair. Inaccessible from above, the only
means of entrance to that little dell are two narrow sheep-tracks, which
crawl dangerously up between the sheer wall on the one hand and the
sheer Fall on the other, entering it at opposite sides.
It stands out clear-cut from the gradual incline, that peculiar
eminence; yet as the Master and Owd Bob debouched on to the Brae it was
already invisible in the darkening night.
Public-domain text, read in full here on John Shaqi.
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