Bob Taylor's Magazine, Vol. I, No. 1, April 1905Various
History
Bob Taylor's Magazine, Vol. I, No. 1, April 1905
Various
Agriculture -- Southern States -- Periodicals; Southern States -- Periodicals
Opie Read, author, humorist, playwright and philosopher, known and
beloved by Americans, rich and poor alike, not only in his own
Southland, but all over the great West, and the East as well—his is
indeed a name to conjure with. As an entertainer, Mr. Read has been a
surprise even to his most sanguine friends. Very few who write clever
stories can read them in a way to evoke either tears or laughter, and
when an author who has gained his reputation mainly through humorous
work appears in a varied program, his path is beset by so many
difficulties that failure almost invariably lies in wait for him. Opie
Read is the exception that proves the rule. We laugh with him when he
“shoots out the moon,” and we weep over the pathetic story of “The
Bronsons,” and the “moonlight parting to let her pass.” We are thrilled
with the tales of simple heroism and we marvel at the rich mine of
romance which lies hidden among the Tennessee mountains whence he draws
the quaint characters that figure in his stories and plays.
[Illustration:
MME. JOHANNA GADSKI,
One of the great artists of Grand Opera, to be presented by The Rice
Bureau of Nashville for a tour of the South next fall.
]
March 1, 1895, Mme. Gadski made her debut at the New York Metropolitan
Opera House in the role of Elsa in “Lohengrin,” and during two more
seasons with the Damrosch-Ellis Company, of which Mme. Melba was also a
prominent member, she constantly increased her repertoire, progressing
from merely lyric to heavier dramatic parts and thereby growing in
public favor.
In 1898 Mme. Gadski became a member of the Grau Opera Company, at New
York. When Grau retired, in the spring of 1903, Mme. Gadski received and
accepted a flattering offer from Heinrich Conried, the successor to Mr.
Grau at the Metropolitan Opera House.
Besides her American engagements Mme. Gadski found time to appear at
Covent Garden, London, during the seasons 1899, 1900 and 1901. She also
sang Eva in the “Meistersinger” performances at Bayreuth in the summer
of 1899.
[Illustration:
MME. CHARLOTTE MACONDA.
The greatest of American born and American educated singers, who will
make a limited tour in the South next fall and winter under the
exclusive direction of The Rice Bureau, of Nashville.
]
Mme. Maconda has received her musical training almost wholly in the
United States, and by every right she stands the coloratura soprano par
excellence of to-day on this continent. With a vocal organ of richest
quality and remarkable range, a charming personality, and that
undefinable something called magnetism, this great artist charms her
hearers, and has won her way to the very front rank of great artists.
Moreover, she sings to the heart and the soul as well as to the ear, and
in the clearness and tender pathos of her notes she perhaps more nearly
approaches the divine music of the great Patti than any singer of the
present generation.
[Illustration:
LELAND T. POWERS,
Public-domain text, read in full here on John Shaqi.
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