Bob Taylor's Magazine, Vol. I, No. 2, May 1905Various
History
Bob Taylor's Magazine, Vol. I, No. 2, May 1905
Various
Agriculture -- Southern States -- Periodicals; Southern States -- Periodicals
“This is a purty time o’ night to be a-prowlin’ ’round, a-draggin’ uv
honest, hard-workin’ folks out’n the bed ter wait on ye,” the landlady
replied. The reprimand came mixed with the rattle of straw-ticks and the
rustle of bedclothing.
“I am sorry,” the traveler answered, “but I came as early as I could.
Really, I am neither the conductor, engineer, nor superintendent of that
train. Don’t you keep hotel?”
“Yes, sorter, a leetle, sometimes, when I feel like it. But can’t ye wait
tell a body gits on her cloze; ur will ye jist come in anyhow, whether ur
no?”
“Oh, certainly, I’ll gladly wait,” the traveler said; “take your own
time—mine, too.”
“Whar air you frum?” asked the voice from within, somewhat muffled as it
poked its head up through a calico dress.
“I don’t see what that has to do with it, but I came directly from
Lexington.”
“Yes, I ’lowed so;” she answered. “I jist thought it ’uz some o’ them
Bluegrass fellers what sets up all night and sleeps all day—what hain’t
nothin’ to do but keep awake them that has to work.”
After taking time enough to have arrayed herself for presentation to the
queen, Madame Calico now approached the door, holding a little sputtering
brass lamp—apparently the model of the first invention—in one hand, while
she vainly tried to tie her apron strings with the other. She knocked
up the wooden latch with her elbow and a clatter, and the door swung
open. Holding high her lamp—a rustic model for “Liberty Enlightening the
World”—she waited for the stranger to speak.
“Madame, I’m very sorry—,” he began.
“Yes, I know it,” she snapped, cutting him off from the remainder of his
sentence. “’Bout ever’ thing ’at comes frum Lex’n’ton’s sorry, mighty
sorry. Guess they’s some good people down thar, but I hain’t never seed
’em. They don’t never come up hyer. I _reckin_ you kin stay, but I can’t
give ye no bed all to yerself; an’ I tell ye now, ye needn’t to ax it.”
Meanwhile, Madame Calico had admitted him and led the way through a
side door into an adjoining room which served as a lounging hall for
guests, whether “by the day” or “by the week.” Having learned how to make
allowances for the moods of hotels, landlords and landladies, he had
followed meekly, without invitation.
By “the dim and flaring lamp,” he now caught the outlines of a
half-finished stairway winding up to the garret. There was no railing to
this gangway; safety consisted in keeping away from the brink. Madame
Calico stood on the third step, her countenance and kerosene jet beaming
contemptuously down upon the upturned face of the hesitating guest at the
bottom.
“Madam,” he asked, hearing, as he thought, a chorus of snores winding
down the gangway, “does anybody else sleep up there?”
“No, they hain’t nobody hardly now, sence the mill ’uz shot down.” Rather
an evasive answer.
“How many?” he inquired.
“The mill is shot down, an’ most uv the hands has quit work, an’ they
hain’t many stays hyer now.”
Public-domain text, read in full here on John Shaqi.
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