Bob Taylor's Magazine, Vol. I, No. 2, May 1905Various
History
Bob Taylor's Magazine, Vol. I, No. 2, May 1905
Various
Agriculture -- Southern States -- Periodicals; Southern States -- Periodicals
It is well we call it the golden era, for it is an era of commercialism,
when men are trampling literature and art and music under their feet
in the mad rush for gold and the gilded glory that it buys. To be a
millionaire is greater in the estimation of modern worshipers of mammon
than to be a Goldsmith; and a multimillionaire is greater in their
gold-jaundiced eyes than a William Shakespeare. The highest aspiration of
these nervous and strenuous generations is the acquirement and hoarding
of gold. Religion is tinged with it. Politics is its ally—and alloy
in the ratio of sixteen of gold to one of Patriotism. And most of the
business and social relations of this enlightened age are purely golden
and measured only by the circumference of a dollar. The English poet
sounded the keynote of true philosophy when he sang:
“Ill fares the land to hastening ills a prey
Where wealth accumulates and men decay.”
The true wealth of a nation rests not so much on bricks of gold as upon
golden thought—the riches of brain and heart—the treasures of truth and
the pure and beautiful sentiments of life. In the wild scramble for
sordid gain and the golden reins of power in these wing-footed days of
avarice and materialism, the angels of happiness no longer beckon from
the landscape and the stream nor call from the sweet solitudes of the
forest; but they stand tip-toe on the burnished domes and glittering
towers of the city and the town, with crowns of gold in their hands. And
the brain and brawn of the land gather there from the hills and hollows
to climb after them on a thousand ladders of dreams. But the environments
of domes and towers, while they stimulate the brain to grasp great
financial problems and to weave the web of glory around the thrones of
money kings, contract the nobler and better ideals and impulses of the
heart to the gilded forms of artificial pleasure.
Public-domain text, read in full here on John Shaqi.
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