Bobbie, General Manager: A NovelProuty, Olive Higgins
General
Bobbie, General Manager: A Novel
Prouty, Olive Higgins
Families -- Fiction; New England -- Social life and customs -- 20th century -- Fiction
Half-way down this stairway, on the landing, there is a large portrait
of my father. Amid all the preparations going on in the house I had
not known that Edith had had the electricians adjust a row of shielded
electric lights at the top of the heavy frame of Father's picture. The
portrait had always hung on the landing where the light is very dim.
We had had it for years. It was painted when we were prosperous, but
I had never examined it very closely. It was an awfully black sort of
picture, and before Ruth's tea I could not have definitely said whether
Father was standing or sitting in it. I didn't know that a row of
lights could make such a difference. As I turned on the landing that
night and came suddenly upon the painting I stopped stock-still. Why,
it wasn't a picture! I didn't see the frame, nor the canvas, nor the
paint. It was Father, dear Father himself, sitting at his roll-top desk
down in the sitting-room. I could see every little wrinkle in his face,
the crows-feet at the corners of his eyes, the fine, tired-looking
lines along his forehead. He was sitting in his big leather armchair,
and I remembered exactly how the leather had worn brown and velvety
like that, along the edges. As usual he wore across his breast his
heavy gold watch-chain, with the black onyx fob--the one he used to let
me play with in church, when I was very little--and in one hand, which
was resting easily along the arm of the chair, Father held his glasses
just as he used to hold them when he took them off to glance up at me
before I dashed off to dancing-school on Saturday nights. "Can't you
keep that hair a little smoother?" he'd say to me, and "Isn't there
a good deal of trimming on that dress? Your mother always wore plain
things with a little white at her neck. Keep your tastes simple, my
girl, and your clothes neat and nicely sewed." They were plain, homely
words. Any man could say them, but as I remembered them that night,
they seemed terribly sweet--almost sacred--and I backed up against
the wall, and stared at Father there before me, with tears in my eyes.
He would not have liked the sparkling wings I was wearing in my hair.
The dress that Edith had given me--all shining satin, wasn't like my
mother's with a little white at the neck. The silent, sad expression in
my father's eyes smote me. He was gazing straight at me, down into my
heart. I almost saw his lips move. The words of the verse that he used
to repeat so often at our morning prayers after breakfast, I seemed to
hear again: "Children, how hard it is for them that trust in riches to
enter into the Kingdom of God." Father was always quoting things from
the Bible about vanity and riches. His heroes were always big, simple,
honest men like Abraham Lincoln and Benjamin Franklin. As I stood and
stared at Father's picture the musicians began to play some soft,
dreamy melody, and just then Alec from above caught sight of me leaning
up against the wall.
Public-domain text, read in full here on John Shaqi.
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