Bobbie, General Manager: A NovelProuty, Olive Higgins
General
Bobbie, General Manager: A Novel
Prouty, Olive Higgins
Families -- Fiction; New England -- Social life and customs -- 20th century -- Fiction
He tossed down his riding whip and soft felt hat in a chair, rubbed his
bare hands together as if they were cold, blew through his fingers,
then abruptly flung himself full length on the leather couch. He
clasped his two hands underneath his head, and lay there with his eyes
wide open, staring up at the ceiling. I hoped he wouldn't keep me
waiting long. A small travelling clock on the desk struck four-thirty,
and he turned toward it. It was then that he saw the big white bundle
resting on his blotter. He frowned a moment, as his gaze fell upon it
(I was shaking with laughter) then got up and walked over to it. He
picked it up, turned it over, and laid it down again. He examined the
outside closely--for an address, I suppose--gave it up, then shoving
his hands into his pockets, stood looking down at the bundle, as if
some stranger had left a baby at his door and he didn't know what
to do with it. Finally, he decided to open the thing at least, and
began taking out the pins. Beneath the brown paper was the layer of
white tissue paper, tied with red Christmas ribbon. I didn't think
Dr. Maynard would ever get beneath that tissue paper. You would have
thought that there was something explosive inside. He lifted up the
rustling package gingerly by the red ribbon and looked it all over. My
card was hanging from the under side. Dr. Maynard took it off at last
and read it.
It was a plain white card with simply the words: "Merry Christmas to
W. F. M. from his discharged chauffeur, George." Dr. Maynard gazed at
that card as if there had been volumes written on it. He turned it
over, searched on the back, and examined again its face. Then he went
to the window, put the shade up to the top, and came back to the desk.
His back was toward me; I couldn't see the expression on his face as he
folded back the tissue paper, and my pillow finally shone up at him. He
didn't speak nor make a single sound as he stood looking down at the
initials and his class numeral. He didn't stir--just looked until the
silence grew uncomfortable. Suddenly he sat down in his desk-chair,
leaned forward, picked up Alec's picture and began looking at that in
the same awfully still, quiet way. I couldn't bear it a minute longer.
The tensity was something like a shrill, long-drawn-out note on a
violin. I can't explain it, but it made me want to scream.
Suddenly I burst out upon him.
"Well," I exclaimed, "do you like it?"
He wheeled about, as if he'd heard a shot.
"Lucy!" he said, "Where did you--?"
"In the closet," I interrupted, "watching."
He still had the picture in his hands. He glanced at it, then laid it
down, and for the first time in my life I saw the dark colour come into
Dr. Maynard's face. He came over to me.
"Did you make it?" he asked me quietly.
"Every stitch for you!" I said, laughing.
Public-domain text, read in full here on John Shaqi.
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