Bobbie, General Manager: A NovelProuty, Olive Higgins
General
Bobbie, General Manager: A Novel
Prouty, Olive Higgins
Families -- Fiction; New England -- Social life and customs -- 20th century -- Fiction
"_Now_ if you don't come!" I said to the picture, and leaned forward
and buried my head in my arms.
So that is how it happened that Dr. Maynard went away to Germany alone
and I remained at home to fight my battle. It was a dull, grey morning
that he sailed, some three weeks after that wakeful night of mine, and
I was sitting alone in my room at precisely eleven o'clock--the sailing
hour--trying to imagine Dr. Maynard down there in New York on the big,
white-decked liner, waving good-bye in his Oxford grey overcoat.
I was wondering if the nicest, cheerfullest steamer letter I could
write had reached him when suddenly Mary, the general-housework girl,
pushed open my door and shoved in a long white box that had come
by express. I opened it wonderingly and gasped at the big mass of
fresh red roses that met my gaze. I lifted them into my arms. It was
exactly as if the kindest man I know had thrown them to poor me upon
the shore, just at the moment that the big boat was pulling out, and I
had caught them safely in my arms. There was a little limp card that
came with them. The stick had all come off the envelope and it fell
out on the bed like a loose rose petal. I leaned and picked it up. The
ink had begun to run a little as if the message had been written on
blotting-paper, but I could make it out all right. The three little
words brought burning tears to my eyes.
The card said: "For plucky San Francisco."
CHAPTER XIII
Many months have passed since Dr. Maynard went to Europe. There have
been two crops of chestnuts for me to gather alone in October since
he sailed away--two dull, grey, unimportant Christmas nights since my
ridiculous happiest one. Edith has been in command of my father's house
for so long now that all the difficult adjustments have been made, the
machinery is running without an audible squeak, and the house itself
has developed into a plant as imposing and prosperous as a modern
factory. As I write to-day I am sitting in my elaborate new bedroom,
built on over the new porte-cochère--my old room was cut up into two
baths and a shower--and am surrounded with rose cretonne hangings, lacy
curtains, and delicately shaded electric lights.
Public-domain text, read in full here on John Shaqi.
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