Bobbins of Belgium: A book of Belgian lace, lace-workers, lace-schools and lace-villagesKellogg, Charlotte
History
Bobbins of Belgium: A book of Belgian lace, lace-workers, lace-schools and lace-villages
Kellogg, Charlotte
Brussels lace committee; Lace and lace making -- Belgium
As we entered the courtyard, a group of French soldiers were warming
themselves before a fire they had lighted beneath a dripping canvas
tent-roof stretched across a corner of the wall. In the dreary rain
the fire flaming against the brick wall, and the horizon blue of the
uniforms were a cheery greeting. But inside the convent, alas, there
was less cheer; indeed, there was the chill of the tomb, no coal for
the poor sisters, who were for lack of it unable to conduct the regular
school classes. They told us of their distress over the idleness of
the children, who had been turned into the streets by the Germans many
weeks before, and whom they were not yet able to reassemble. “Their
manners are already so bad,” Sister A. said, “that we are ashamed
to own them as our pupils.” The Germans left the class-rooms in the
familiar condition, and the sisters had no sooner finished patching and
disinfecting, than the Italian soldiers were billeted there. They were
too loyal to criticise but I suspect that their experiences after the
departure of the Italians must have convinced them that, after all, a
new army is just another army. The French followed, but they at least
were occupying only four class-rooms, and the sisters were trying to be
optimistic. “We believe they must be better,” one of them said, with a
smile; “however, we shall not know until they are gone.”
“At any rate,” she continued, “our lace-room has not been
requisitioned; we have had enough coal to keep a little fire there.
During all the four years that work has never stopt.” Since it was
Saturday afternoon there were many vacant chairs in the class-room, but
still enough girls were present to enable us to judge of the kind of
lace school this is.
Little girls between nine and ten, sitting up very straight in their
high-backed chairs, were working with swift, steady fingers and
already producing a good Venise insertion of a simple leaf pattern.
Several of the other girls were busy with the now well-known Venetian
Point medallions representing the arms of the Allied nations, and the
provinces of Belgium; still others were executing flower details for
yard lace. All this Venise they were making with a needle and single
linen thread, for this convent works exclusively with linen thread.
They were handling the black cloth patterns, eight to ten inches wide,
with apparent ease, turning them with almost every stitch. This mere
mastery of the pattern is in itself impressive.
In a corner, near one of the great windows overlooking the walled-in
winter garden, a slim, darkly clad girl about sixteen was absorbed in
pricking a complicated pattern. Sister A. led me a little aside to
explain that this was their feeble-minded girl and that tho they could
not explain it, she was able to interpret correctly very difficult
drawings.
[Illustration: VENISE BANQUET CLOTH PRESENTED BY THE LACE COMMITTEE TO
H.M. QUEEN ELIZABETH ON HER RETURN FROM EXILE
Public-domain text, read in full here on John Shaqi.
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